Flashback. Last May we announced the official selection of the 71st Cannes Film Festival. Its general delegate, Thierry Frémaux, suddenly has a sharp eye. He is preparing to announce the presence, out of competition of course, but all the same, the "Grand Bain", a Full Monty French with a casting splash, signed Gilles Lellouche, until then always supported in his achievements ("Narcos ", " The unfaithful ").
The audience is surprised. But happy. All announces that we will laugh and, on the Croisette kneaded with tears and tragedies, these are not things that refuse. In fact, we laughed a lot. Standing ovation. Actors on the verge of emotional "collapse", carried by a wave of applause.
"We all watched Gilles Lellouche and we were so happy for him," said Mathieu Amalric, one of seven male characters, lost in their lives, embarked on this improbable synchronized swimming story for … men. Until the world championships in Norway.
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Julie Fabre, coach of the women's Olympic team, has managed a feat: to ensure that her flock, directed in the film by Virginie Efira, so just and moving, and Leïla Bekhti, irresistible in dragon spewing flames, reproduce the gestures and the harmony of a discipline that required three months of training.
Each actor, with a strong temperament and not always adequate physique – the buoys were not necessarily made of plastic – gives this unexpected film a human truth that speaks with infinite tenderness to masculine conditions – also feminine – dented. Let's pull down our swim cap to Gilles Lellouche and his Olympic team. We went to ask these big fish of chlorinated water how they had lived this adventure.