Sasha Waltz's "Kreatur" overflows with all the violence of the world

This is a beautiful and strange painting that opens "Kreatur": about fifteen dancers evolve haloed with a white cocoon (costumes signed by the stylist Iris van Herpen), which could just as well be an armor. While their movements are constrained, their arm tries to cautiously apprehend the outside world.

A community at the same time modern and animal

These are humans or perhaps robots, a community that is both modern and animal, where you have to find your place in a group that is subject to fear. 'agglutinating on a narrow and steep staircase, the only piece of scenery that leads nowhere: migrants, borders, power, freedom are the issues that haunt Sasha Walz's play

The choreographer tells that during the rehearsals, she visited with her troop an old prison of the Stasi. In a cell where forty people lived, it was necessary to support each other to avoid the muscular intervention of the guardian. A shock. And the inspiration of one of the paintings in the play, which evokes confinement and forced awakening, and from which emerges despair and empathy.

Androgyne or sculptural or buxom

Because there is the group that threatens and the one who protects.These men and his women separate, join, seem to be The choreographer plays contrasts in silhouettes and corpulence of his dancers: androgynous and graceful, immense and sculptural, or buxom

The electronic music of the trio Soundwalk Collective gives rhythm. is jerky, movements often interrupted in full swing, like a freeze frame or an attempt of emancipation aborted.

A dancer in a beautiful white suit, which evokes the most delicate of origamis, is brutalized by a creature threatening darkness, covered with long spines, the incarnation of evil. This is the strongest scene, where we really feel from our seat what the victims of an agerssion experience

Domination, submissions, the second part is diluted to too much want to erase violence of all kinds (battered women, badual deviance …). "I wanted the political and social atmosphere to be readable in Sasha Walz badumes that, despite these superb intentions, the choreographer who gives us some very beautiful dance moments has been too eager to follow, and this "Kreatur", a little tight, would be a superb piece. [19659015] [ad_2]
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