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"Am I ugly?", Nico asks, once blonde hair lying black and stringy around a bruised face, while laying down in the baking hall her director. "Yes" answers. "Good," Nico said. "When I was pretty, I was not happy either."
Happy, as the biography of Italian director Susanna Nicchiarelli tells us, this woman may never have been happy. The musician Andy Warhol, born under the name of Christa Päffgen in Cologne, played the role of an it-girl and singer on Velvet Underground, styled as an icon of the "factory" boom. But in Nicchiarelli's film, this time comes twinkling in some crazy flashbacks.
The director is as little interested in the journey to glory as Nico herself, because she is on a different track for some time: until shortly before his death the old model dependent on heroin. Nicchiarelli focuses in his sensitive portrait on these drawn from drug abuse in recent years.
It shows the musician on tour throughout East Europe politically unstable, which makes Nico and his drug – emotional group just as disastrous, mostly because of the problems of the game. supply; try to repel journalists who only want to speak about Velvet Underground and not Nicos' own music; Nightwalking without sleep in a shared apartment where you have to sleep during the visit. And on stage.
Family reunion at the Rehabilitation Center
There, Nicchiarelli says, the woman who wants to call for a long time Christa suddenly lives. Her voice from the grave shines, energetically she crushes her dark words. She complains of the Indian harmonium that she had discovered since the early seventies as an instrument and played with verve.
Despite the many concert scenes and a faithfully detailed musical career characterized by many more bbad than treble. Difficult relationship between Nico and his son Ari (Sandor Funtek), who has never been recognized by his biological father Alain Delon, and – like his mother – was beaten by a beautiful beauty. A beauty, both, it seems, fell on the burden. They cursed and eventually sought to destroy them with the help of drugs.
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Nico in 1967
This destructive love seems to have formed the psychological basis of the depression of Nicos: why did she not succeed to protect her son? Nicchiarelli lets his story revolve around this issue. The images she finds are realistic and bitter – the most beautiful people seem to have the most broken souls. And when Nico visits his son at the Lung Clinic, and they're both sitting on the bench in front of the building, their family closeness is as palpable as treacherous.
"Nico, 1988"
Italy, Belgium 2017
Directed and script: Susanna Nicchiarelli
Distribution: Trine Dyrholm, John Gordon Sinclair, Anamaria Marinca
Cast: Texte du cinéma
Publisher: Minimum age: 12 years
Duration: 93 minutes
Theatrical release: 18 July 2018
In Trine Dyrholm, the director found a perfect cast: altruistic and unpretentious, the Dane Nico shows her body, sitting pale, with wide legs and with visible stinging scars on the dirty couch, and sings and speaks so deeply that you are already cold while listening .
Even the remains of an indisputable model-an-self-awareness can be embodied in Dryholm – it flashes in the way that Nico agrees that he is always admired and exaggerated by many, many of his friends. ;men. How she naturally changes her friends, to the surprise of longtime companions like her dedicated director (John Gordon Sinclair).
Breakthrough by Needles
"Nico, 1988" the director calls her film – this year, the artist died after a bike accident in Ibiza, a few months before his 50th birthday. The film has become a fundamentally appropriate tribute. He fuses the link between fame and self-confidence, alluding to reasons perhaps never quite explicable for depression.
Getting closer to someone whose protective skin is literally punched by needles still carries the danger of a display. But Nicchiarelli does not give in to the torment of his protagonist. But frees Nico's music for interpretation, as does the artist herself, as in the text accompanying her cover of the "Lonely Girl's Song" published on the latest album: " And had a desire / And did not know what / Because she made lonely / and so blonde her hair. "
In the video: The trailer of" Nico, 1988 "
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