"Tatort" today from Stuttgart: "The man who lies" in the quick check



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The scenario:

A life built on lies. One day, the head of the family Jakob Gregorowicz (Manuel Rubey) receives the visit of the commission of the homicide. An investment adviser known to him was killed and, because Gregorowicz is entangled in the interrogation, officials are targeting him. From now on, the man crosses Stuttgart and tries to eliminate all traces of frauds and deceptions in which he is involved. And that's a lot.

The nail:

This "crime scene" is constantly recounted from the point of view of the main suspect. He's a notorious liar – but is he also a murderer? The public is in a moral dilemma, he sees the world through the eyes of a cheater with whom he sympathizes more and more. Commissioners Lannert and Bootz, however, seem threatened from the point of view of the persecuted – the fact that the investigating actors Richy Müller and Felix Klare have cut their roles functionally just in the anniversary episode of the tenth anniversary of their television space deserves the respect.

The picture:

Beautiful suit, simple prison clothes. The suspect, who has just admitted that all life lies in the interrogation, must surrender his wardrobe for remand. An act of disbadembly, because with the costume the liar releases one of his identities. Who am I – and if so how many?

The saying:

"This is called an interrogation room in Stuttgart.The chairs and the table are repaired, because someone has made a lot of riots here.Since then, this is the norm." Commissioner Lannert points out to the suspect the peculiarities of the interrogation room. Friendly, objective – and yet with a suggestive nuance.

The song:

"Mad About The Boys" by Dinah Washington. The glittering black jazz clbadic that takes place in a cafe where the suspect spends part of his risky double life reflects the atmosphere of this modern film noir "crime scene".

The rating

8 points out of 10. A "crime scene" that leaves well-organized German television comfort of the crime by the ingenious change of its perspective vis-à-vis the suspect. Despite small hangers towards the end: efficient, elegant, touching. Make sure you get involved!

L & # 39; s badysis:

Please continue reading here!



"Crime scene: the man who lies", Sunday, 8:15 pm, ARD

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