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At some point in perhaps 50 years, Kraftwerk will continue to play. Then there are four older men on the scene, only robots. This would be the ultimate consequence in a world dominated by machines, computers and data. Zukunftsmusik?
Kraftwerk played music of the future on jazzopen on Friday night. It's 21:50, when it rings above the Schlossplatz: "Good evening the power station, good evening Stuttgart!" ESA astronaut Alexander Gerst has changed his position. On a tablet, he plays the five-note sequence that symbolizes Spielberg's "Spooky Encounter of the Third Kind", an attempt to communicate humanity with extraterrestrials. But whoever makes contact here is not ET, it's incarnated Astro-Alex, in a Captain Future white T-shirt
Photo Gallery: Alexander Gerst at Kraftwerk concert [19659004] Report on the Mission
Spectator removes his 3D glbades, rubs his eyes in astonishment. And wonders if this is a repeated home video? But Gerst picks up a microphone and talks to Stuttgart 400 kilometers from the ISS International Space Station: "A man-machine – the most complex and valuable machine humanity has ever built", says the player of 42 years. as well as on Kraftwerk's eponymous album from 1978. Gerst reports on his mission, the peaceful research collaboration of more than 100 nations, "to improve everyday life on earth."
Ralf Hütter, Member founder of Kraftwerk, tacitly announces: "Let's make future music together! and plays with Gerst a spherical version of the title "Spacelab", filmed by thousands of smartphones. The astronaut who will tweet the day he did not think his "first concert in life would be the same with the legendary Kraftwerk musicians, and certainly not a live jam session from space", to his turn, presses a few rectangles on his tablet configured as a virtual synthesizer.
The fact that Hütter's playing time is slightly inferior to Gerst's evanescent notes clearly shows that this is real, real, and even in ecstasy the most hardened spectators. You realize that with 7000 other people, you are simply part of a historical event. And Kraftwerk continues to be one of the most pioneering pop bands even after almost five decades.
The interaction between man and machine, a message of space, music in interstellar dialogue as the universal language of the world – Kraftwerk realizes the visions with which he operates in the years 1970 and technocratic keywords such as "computer", "highway", "radio activity" and "neon" transformed into electronic music. The Dusseldorfs are models and models for countless bands from all directions: Coldplay uses the melodic sequence of "Computer Love" in the rocker of the "Talk" stadium, Jay-Z samples sequences from "The Man- machine "for his hip-hop number" Sunshine "in Stuttgart, Kraftwerk plays the originals. The clbadics of the German avant-garde also evoke "The Robots" and "The Model", or the trilogy "Tour de France" enriched with improvisations and "Trans Europa Express". This fascinating program of 3D acoustics and optics has perfected Kraftwerk for years on rare concerts. Sequences of green numbers, blatant radioactivity signals, busy motorways and trains are only fully taking place in Stuttgart with increasing darkness. Even the three – dimensional sound pushes the air to its limits. Nevertheless, the catchy and feathery sounds have a wonderful spatial depth, great bbad and moving surfaces.
At Gesamtkunstwerk
Ralf Hütter, Henning Schmitz, Fritz Hilpert and Falk Grieffenhagen stand together in a tight combination on their gray desk and cultivate this minimalist performance with incredible Stoic calm. Like musical robots. Hütter plays keyboards, Schmitz takes up sequences and bbad, Hilpert takes percussive sounds and Grieffenhagen arranges videos in sync with the music. The result is a total work of art.
The musicians are replaced by "Die Roboter" at the end of the concert, and that's where the circle turns to look, which was designed with dolls in the 1970s. And the path to the Future is approaching. With a crisp "Boing Boom Chak".
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