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She calls Jana, he is Helmut. They are both in their thirties, from Groß-Gerau. They wear black clothes, tattoos on white skin and many silver piercings. Normally, the couple plays on a variety of metal games, alternately lined with the dark tomb. But Jana and Helmut are waiting with 44,998 other visitors sold out during the weeks of the Commerzbank Arena on the occasion of the appearance of the German facilitator Helene Fischer. Jana finds Helene somehow superhuman, Helmut agrees and says, "The Fischer is artistically very versatile."
Party under Helene-Ultras
Snar Ben sugar with his voice Hans-Hartz-angry by Schlagerschmonz as "Well and ?!", "Towards the sun" and "What a good time". The audience also hopes that the latter state will be happy to 200 percent, including many Helene-Ultras, as the fan-die core describes itself excellently.
Horny Time? A condition that should be achievable, despite extremely high summer temperatures, traffic chaos with miles of traffic jams and delays and a hundred Helen supporters who parked their vehicles aboard the ship. 39; A 3 and made a start. A section of Germany from all walks of life and all ages as well as the LGBT community electrified by the weekend Christopher Street Day
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Photo: Sven-Sebastian Sajak
He is united by the figure of light that was sold five times in a row in the village hall last January, and yet polarized like no other. Either the 33-year-old singer with Russian-German roots and permanent fiancée Florian Silbereisen is loved and admired, or Helene-hater badumes that the German Pop-Queen is only a pseudo-punk, a product artificially hype from the sound industry and his manager Uwe Kanthak
At the present time, Fischer's daily superlatives often mix acidic notes that predict rapid descent. But who in the industry hit, except Andrea Berg, fills giant arenas in this country?
When the gigantic H starts to blink in all the colors in the middle of the giant stage and shoot colorful confetti and flames of flames from all the tubes, always accompanied by a troupe of mixed dancers at most, dressed quickly and freshly wearing the makeup mask in the tightest jeans, waders and tight-fitting boots on the hips with the mitklatsch "aviator" beanie. Collectively, the sentiment barometer goes from zero to one hundred.
Calculation of Bliss
The following in more than two hours of show opulence meticulously calculated and dramaturgically predictable: a pop canon as simple as famous as Schunkel mitklatschhafter beer delicacy with trend to all kinds of stylistic spool envelopes out there. In line with various breathtaking costume changes, repetitive choreographies, frequently used rhetoric phrases by Fischer "Dear" and "Tell me, do you feel it too?"
Concert
Hélène Fischer Better with traffic tickets than with a concert: To arrive at the time for the appearance of Hélène Fischer at the Commerzbank-Arena, a hundred motorists have parked their vehicle without further delay on the A3.
But of course, the enthusiastic crowd of visitors feels their own spirit Hélène! No one else could look attractive ("In llaubisch Läckamädsche", he brings a guest from Cologne in a nutshell), to show off an excellent dance and also to offer immaculate vocal performances. The Fischer only goes back if it is supposed to replace something with a stiff talkative lecture. Spontaneity certainly should not be their thing, although compared to concerts a few years ago, it has improved significantly.
Helene Fischer, calibrated on the desire to win, to be the best, and to cross modestly land In the year 2018, the Germans shook the summer tale as the troupe of cucumbers Jogi Löw's did not generate. "Today, I belong only to you," she offers liberally, then leads, draped over a vehicle decorated with balloons and accompanied by Fahnentruppe, in a potpourri of Wummtata. once inside the Waldstadion. Meanwhile, the gigantic projection screen constantly sends a sensory overload in the auditorium. Comfortable photos as advertised for creams, bubble baths and sanitary napkins. Often, Mrs. Fischer changes rare textiles. There are also snapshots of the audience. A cardboard sign is branded: "The youngest fan, born today."
Bending hearts
With meticulousness, Helene Fischer directs Fischer in his best-of: Sighs the "phenomenon", does not feel completely "without error", feels intensely "Earthquake", goes "out of breath at through the night "and wants it too, but just" without any other ". In between, there are phrases such as "Thank you very much for this transfer of energy" before the Schlager carousel continues its journey. Once again, the vehicle is necessary to go to the B-Stage in the center of Arenas. The darling Ben Zucker is already waiting for a duet with "Freiheit" by Marius Müller-Westernhagen. Other cover versions follow: "Damn, I love you" by Matthias Reim leads to a Euro-Dance-Pop-Potpourri with "Rhythm Is A Dancer", "What Is Love?" Alban "Sing Hallelujah"
In a tight red latex look, Hélène rises a little later on a giant crystal heart. It reminds Madonna, Kylie Minogue and Miley Cyrus. Once again, spray pyro effects, confetti, and streamers, then head for the house. As Fischer crosses the catwalk, which is now floating in the audience with giant jumps and steps in the wet upright, she sings with the deepest conviction, "There is a roller coaster in my head!"
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