In Late Night, Mindy Kaling draws on her story from "Rookie for Diversity" to The Office to Mindy Project Management.

This post contains soft spoilers for Late at night.

In 2017, during the press tour of A ride in timeReese Witherspoon remembers a conversation she had with co-star Mindy Kaling. "Do not you ever get tired of always having to create your own roles?" Askerspoon had asked Kaling. "Reese," answered the answer, "I've never had anything that I did not create for myself." Although it was born out of necessity, this gave Kaling an unusual control over her projects and her on-screen image, and it is telling to look closely at what she has chosen to do with it. After almost fifteen years in the public eye, you play on a chatterzy Office and a sociopath chirping on The Mindy projectKaling finally seems to be content with the ingenious role in Late at night, her first feature film in which she plays a leading role. (She wrote and produced the film, which was directed by Nisha Ganatra.) Her character, a novice actress named Molly Patel, is the kind of underdog that some fans want to see the actress-writer inhabit for years. Late at night suggests that Kaling is as fascinated as ever by the girl next door, but by powerful and undisciplined women – and by unconventional love stories that suit their voluntary and idiosyncratic personality. But the film is perhaps more remarkable in summing up the thoughts and ideas that Kaling has made about his 15 years in Hollywood – and how to fight to change it.

As The devil dresses in Prada, Late at night is a strange couple comedy about two women – a jaded icon and a naive beginner – who discover that they work much better together than separately. Emma Thompson stars Katherine Newbury, the host and unlikely female, English and late night talk show host who made her debut in the early 90's and never bothered. to change with time. When a resentful sub-student points out in the long run Katherine that she does not have a single woman in her writers' room, a random search leads to the instant hiring of Molly, an extravagant comedy with no writing experience . Unlike most of her new colleagues, Molly is not just a woman, but a person of color who has studied in a league other than the Ivy League and lives with her aunt and uncle in an outlying area. Happy and just a little bland, she could not be more simply moved into the city to pursue her dreams if she tried.

We've seen dozens of protagonists like star-eyed Molly, but many of the specifics that distinguish Molly come from Kaling's own story. Kaling first caught the attention of the entertainment industry by interpreting Ben Affleck's role – yes, you read that right – in a piece she co-wrote titled Matt and Ben, about Matt Damon and Ben Affleck who are changing the screenplay of Goodwill hunting. (He literally falls from the sky and on their knees.) But his big break occurred when she was hired for the writers' room. Office NBC Diversity Program. This training period in Kaling's career provides largely the basis for Late at night, as well as the "Divers Hire" label that Kaling is struggling with stigmatization years later. "I would rather be a candidate for diversity than a nepotism employee," said Molly, Tom (Reid Scott), author of the chief monologue and chief monologue, which, according to Kaling, is essentially a substitute for BJ Novak, ex-boyfriend of Kaling. (Novak was a Harvard Lampoon alumnus also intimidating Office the writers' room when the two met.) "At least I had to defeat all the women and minorities to get here. It was enough to be born. Kaling made similar statements during interviews. At one time, she thought, "If you're funny, it's funny and you'll stand out. But that's not true, "she told Deadline. "If you do not know the right people to enter the rooms, you will never be seen."

The complaints of Molly's new colleagues, such as "it's a hostile environment to be a white man educated" and "I wish I could be a woman of color so I could get any work done without any qualification "encounter similar refutations. Molly finally rewrites her differences, as well as Katherine's, as advantages, guiding the facilitator in highlighting the facts about her femininity, age, and white privilege.

But Kaling does not just talk by Molly. When Molly encounters difficulties, several kind mentors advise her to replace her protests with hard work: "If you want people to see you other than as a diverse hiring, you have to make them. book Why not me?"I do not understand how you could trust yourself if you do not do the work," she wrote. "Trust is like respect; You have to learn it. "

Indeed, over the course of the film, it becomes obvious that Kaling is as interested in Molly's criticism as in what viewers see in her. If viewers confuse Kaling with the fact that she identifies only with the character she plays and expects others to do the same, it would not be the first time. While Kaling's decisive role was Kelly Kapoor's Officeshe was like the star and the creator of The Mindy project that she had created a truly revolutionary comic identity, Mindy Lahiri, a demonic narcissist, then had the character very misunderstood as an incomparably written woman. Emily Nussbaum, a New York TV critic, in an essay on "the bad fan," lamented the viewers who spoke. The Mindy projectThe rom-com appearance means that his protagonist was, like most romantic comedies, an ambitious or familiar character. Kaling told Nussbaum that she thought playing a female version of Michael Scott, on which Lahiri was based, would be more "fun."

Similarly, with Molly, Kaling seems less invested in establishing an identity with the audience than in mocking his seriousness and teaching him a more nuanced view of the privilege beneficiaries. Kaling mocks nicely the trope of this "absurd newcomer" who tactlessly tells his new employer exactly what's wrong with his show. t necessarily without talent. Kaling also seems to be satirizing a certain type of social justice warrior – or at least the stereotype of it – by asking Molly to tell her colleagues that she is "marginalized by privilege." white iron ". Although she has legitimate reproaches, the character ends up feeling like a repository for all the reasons why Kaling never seemed interested in playing a role like this.

And if viewers still do not understand the message, well, she talks to them through the other protagonist of the movie, a character Kaling admits she identifies with as much as she does with Molly. You can hear Kaling bristling at the criticism of The Mindy project In a speech, she speaks directly to Katherine's Molly. She says that "an absurd newcomer, confident, criticizes my show and gives me his assessment of my comic character without doing the hard job of presenting me solutions." Kaling could have started in Hollywood as Molly, but she became something closer to a Katherine.