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What was your experience working on "Tabaah Ho Gaye"?
That was fine, because I still love working with Saroj Ji because she brings me the best, and what was difficult with the choreography, it was it was necessary to keep the character in mind. Bahaar Begum is quite different from Chandramukhi in 'Devdas'. Chandramukhi was there, so you know with her that we could do all the different adaayein. Even when she cries, she smiles and everything. But with Bahaar Begum, being a reclusive person, he must be acting from a different and unusual type of dance. She has to talk and express her pain through her eyes and with a minimum of action, because that's the kind of person she is. And to maintain that balance, we had to make a tightrope song.
What do you say about the pain you feel when you play this song?
This is because the suffering has been going on for years. She has been like that for so many years so she will not be like she's crying anymore, but there will always be that pain in her heart.
Your love for kathak is so obvious, although the steps seem very simple, they are very complex, what do you think?
It's beauty to make it very simple.
What attracts the most attention from you – the pain or movements you make when you play?
Well, what attracts more attention, is the feeling in the movement. The movement will change according to how I feel – happy or sad. There were different variations. When he's happy, he's a little chirpier, but when it's sad, it'll be sweeter and more with the feeling of what you're trying to do. So everything changes, your body language changes, your expressions obviously change.
In the last sequence of the song, we see you playing in turn, do you remember the count?
I do not know. I did not count. However, it happened at once! The last sequence was decided then and there because we thought "Yeh kone me kya karein" because it continues and it must go through a crescendo and we want people to take something with them after watching the song. So, Saroj Ji said that we had to try different types of kathak, that's what we did! Turn and turn. And I told Varman not to ask for another take.
How long did you spend practicing this song?
We only spent two days on this song.
You said that Saroj Ji brought out the best of you. What distinguishes it?
Because she always challenges me! She gives me very difficult steps.
How did the work with Saroj Khan go after so long? As she had announced recently, she was out of work and, according to the information she reports, Salman Khan will also offer her work!
I am grateful to be able to work with her again! Maybe it's just a phase you know when she was inactive and she was not doing much but now I think with this song, we hope people will wake up. This song deserved it.
The connection between Shreya Ghoshal and you is magical, always on the screen, what do you say?
I love, I love his voice. Very pure! She hits the good notes perfectly and when she sings, you can have tears in your eyes. And when she sang "Ghar More Pardesiya", her voice was so happy.
Which do you prefer – clbadical or unconventional songs?
Clbadic, because I grew up learning clbadical, so for me, it's the most natural way to dance and it comes very naturally while other dances learn and we do it. But when you learn clbadical dance, you learn grace. Thus, even if I practice other styles, the grace of dance is always present, the discipline and the realization of the movements of the body are very technical. But if you talk to Birju Maharaj Ji, you'll know how the body moves and before your hands move, your shoulder has to move. We must curl and then curl our hands, we learn all these things when we learn and that is why, when we do any style, grace is very fluid. And the most difficult step is very easy when you see them because you feel like kar lenge, but when you try to do it, you realize that it is very difficult.
Did any of your family see this song? What were their reactions?
Well, my husband saw it and he loved it! He was like "Oh my God"! What happens is that when everything is in place – the scenery is beautiful, the presentation is beautiful, the costumes, the dancers, everything falls into place and when you put so much effort, it shows and makes you happy. that you did it because everything just came up and that is beautiful.
How did the merger of Remo D'Souza and Saroj Khan take place?
It was wonderful. It's as if it's not like two choreographers have not met and they're so different and so different. I tell Remo that he's a hip-hop guy, but he composed a clbadic song, "Hamari Atariya" with me, so it's your versatility you've done with me. Even Saroj Ji did 'Tamma Tamma' and now that. His versatility is incredible!
Are you excited about the release of the film next week?
We are hooked before the exit. At least we know that what we have done is the best we can do and everyone involved and everyone has worked very hard. The hardest thing that ever worked was Abhishek Varman because he had to manage everyone, not just the big actors, but also a huge board, lights, camera, team members. So it was a big business for him, also considering the fact that it was his second film and bowed to him. No wonder he does not smile a lot, but we make sure to make him smile once in a while. I think that he smiled after that blow of waala chakkar. He came out smiling and asked me, "How are you doing this?"
Do you still feel like before the commotion before the release?
Well, it's like just before going on stage. Even if you do it for 20,000 years, you always have butterflies in your stomach before you even enter the scene, but once you are there, everything changes and you are at home.
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