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The "nice guys" end up winning: Ed Sheeran, an imposing pop star who pretends to be an ordinary man, and Chance the Rapper, a woman who triumphs under a sacred man, badociate for "Cross Me". Sheeran and Chance have made their career one of the nicest men in the room. They present themselves as adorable rogues, and this kindness did not go unnoticed, proving that Sheeran BuzzFeed is the best person in show business and that Chance is dubbed the best human being in Chicago. Which opens the way to "Cross Me", a song that is obviously respectful and appropriately gentleman. They are joined here by PnB Rock, Philly's very bad crooner, who has just released a disc entitled TrapStar Turnt PopStar but recalls it in a very convincing way. This unlikely group is sponsored by Sheeran's next collaboration album, No.6 Collaborations Project . "Cross Me" is a harmless and silent pop. He should be anti-hate. Still, the song is so disgusting that it's hard not to be cynical about it.
Sheeran, Chance and PnB Rock are both ready to defend their lady's honor, you see. We do not know exactly what they are defending and why, but they are ready and willing. Produced by Fred Gibson, who has worked with Afrobeat stars such as Burna Boy and Mr. Eazi and UK-based rappers such as Octavian and Stefflon Don, this pop confectionary reveals a little recoil from the R & B It's like they're trying to climb something like "badual healing" and give up halfway through. The song is far less catchy than the title of Justin Bieber's "I Do not Care" label label in the Caribbean, which Gibson co-produced with Max Martin. Chance hits as if he's doing a dubbing job for Adult Swim, or as a really nasty KYLE imitation. It's like watching Stefan Urquelle become Steve Urkel again. Sheeran, for one, is the least clumsy person in this situation, probably due to the nobility of this practice. But the song has all the impact of a guy wearing a "feminist" t-shirt.
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