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Super 30
Director: Vikas Bahl
Performers: Hrithik Roshan, Mrunal Thakur, Pankaj Tripathi, Aditya Srivastava and Nandish Sandhu
Well-intentioned? Yes. Sincere? In a certain way. Great? Do not push.
The word super might be exaggerated to describe Hrithik Roshan's new film, Super 30, even though it tells the inspiring story of Anand Kumar, mathematician and educator from Bihar, who has helped hundreds of Poor students to break through the rigorous entry of IIT exams. It's a remarkable achievement – Anand Kumar's commitment to ensuring that education does not remain the exclusive privilege of those with big money – and it's a feat that deserves to be celebrated. But director Vikas Bahl and writer Sanjeev Dutta do not seem convinced of the dramatic potential inherent in the story of their protagonist. They chose to exaggerate the details, omit the crucial facts and compose the melodrama to raise the stakes.
Hrithik, unlike the real Anand Kumar, is coated with brown paint for the face and body, reinforcing the embarrbading Bollywood stereotype of the "poor Indian" with dark skin. The actor nevertheless permeates the character, especially in the first few words of the film, a charming innocence. We first meet him as a young genius of mathematics, son of a humble postman in Patna, who lands and loses a scholarship in Cambridge because his family can not afford to send him to England. In one of the most heartbreaking scenes in the film, Anand makes an urgent appeal to an unscrupulous minister to fulfill his promise of financial support.
There are many moments that bleed the heart, including a moment in which his acceptance letter from Cambridge becomes a paper wrapper for the papad that he has to sell door-to-door after the tragedy that strikes the family. Things momentarily improve when he is recruited by Lallan Singh (Aditya Srivastava) as a teacher to train students in his fancy training institute.
Most of the film, however, describes Anand's difficulties in setting up his own center to provide free accompaniment to 30 promising but disadvantaged students who can not afford high tuition fees. We watch Anand confront jealous rivals and bullies, and students fight starvation. This is a clbadic scenario, but the filmmakers have left out the case where Anand has created a parallel "for-profit" coaching center that has helped him maintain the funded Super 30 program.
This is a small detail that does not detract from Anand's commendable efforts to improve the less fortunate. But this reflects a more general uneasiness in the film: a tendency to blur facts and fiction, to invent even incidents, to highlight the enormity of the protagonist's struggle and achievements. Which is a shame, because his story is extraordinary, even without the bizarre skit he raises to his students to overcome their inferiority complex, and the ridiculous high point in which students put their learning to good use to foil an attack d & # 39; badbadins.
There is no doubt that Super 30 is a dramatized and "bollywoodized" version of a true story, with too many songs, nasty caricatures, a deafening score that marks all the emotions and the kind of uplifting dialogue intended to arouse your health. The film is also a kind of khichdi, borrowing the ideas and treatments of A Beautiful Mind, Good Will Hunting, Aarakshan and Hichki. To be fair, there are things to admire too. Anand Kumar's tendency to ask his students mathematical and scientific questions from routine scenarios gives the film some of its best moments. The support troop is great, especially Aditya Srivastava with Lallan Singh, the sneering rival of Anand's rival coaching clbad, Virendra Saxena as father of Anand and the always reliable Pankaj Tripathi who makes the most of a small role of corrupt minister. Mrunal Thakur, so good in last year's Love Sonia, appears as Anand's love interest, but it's a minimal role that gives her a winning moment that she completely owns.
Not surprisingly, the film rests on the shoulders of its main actor, and Hrithik Roshan brings the sincerity for which he is known. Bihari's focus is flickering, the skin tone is distracting and the film frequently gives Anand Kumar a misguided treatment similar to that of a superhero. Hrithik does his best with the role. This is the scene in which he is supposed to touch your heart, which he has achieved in the most memorable way.
What is particularly disappointing is that so little attention is given to the students at the heart of this drama. The film never lets us spend enough time getting to know them.
The Super 30 message contains an important message, but excessive processing makes it all the worse. I go with two and a half years out of five.
Rating: 2.5 / 5
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