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& # 39; Equalizer 2 & # 39; Sony
If you build it, they will come, by" that, " I mean "action R" Denzel Washington unleashes brutal and lethal violence against deserving villains. "Denzel Washington's action film has become a mark in itself, so the fact that The Equalizer 2 is his first real sequel is almost trivia.It is vaguely based on an old CBS show is almost irrelevant.People have come this weekend because they wanted to see another slice of Denzel Washington: Righteous Revenger Man . The first sequel to Denzel Washington earned $ 35.825 million during its first weekend, making it the most popular movie of the weekend, despite an arbitrary ranking ($ 34.4 million for Mamma Mia 2 ). means that the film had a robust 2.67x weekend multiplier. Here We Go Again ) in a crowded summer season
Without inflation, it's the largest opening weekend of Washington for a solo vehicle. It's his third opening weekend after American Gangster ($ 43 million in 2007, with Russell Crowe) and Safe House ($ 40 million in 2012, with Ryan Reynolds). Yes, Denzel Washington is a movie star. The first movie was opened just as the R – rated action movie was making its comeback. It's still among the first R-rated franchises (with John Wick and Kingsman ) since The Matrix was completed in 2003
This sequel sees Washington avenging a fallen ally, winning mixed negative reviews at about the same level as the first Equalizer . But the public did not care, the film having won an A of Cinemascore. It 's to Sony' s credit that they did not rush that and brought back the director (Antoine Fuqua) and the writer (Richard Wenk). I liked the first plus, but that's life. It still works clearly for the fans.
If he plays as a standard action film of Denzel Washington (thinks Magnificent Seven Eli's Book or The Taking of Pelham 1, 2,3 ), we examine a multiplier of 2.7x-2.9x. That would mean a national total of $ 96 to $ 104 million for the next $ 62 million. Overseas is an open question, while The Equalizer won a split 53/47 national / overseas.
Sequels generally earn more abroad than their predecessors, but a similar split would still give $ 181 million to the film. Domestic total of 196 million dollars. So we could get The Equalizer 3 in a few years. And yes, it's worth repeating, there's no safer or consistent box office wager in this day and age of a Denzel thriller action Washington's mid-budget, ranked R. Despite all due respect to Ben Affleck (who did what he could), I can only imagine what could have happened by calling Denzel Washington " old and angry Batman "in the summer of 2013.
the weekend was that of BH Tilt Unfriended: Dark Web . This is (by default) the most publicized version of BH Tilt. Blumhouse's subsidiary was founded in September 2014 (Tusk was struggling to attract a theatrical audience) as a means of launching low-budget horror films with semi-broad plays (about 1,500 screens) in demography. targeted areas with a mostly digital marketing campaign and much cheaper than the one usually badociated with wide dissemination on.
Up to now, the company has had the usual ups and downs of an upstart in this Netflix / VOD era. For each Belko Experience or Inferno Green there is a Birth of the Dragon or Incarnation . They are emerging from their greatest success, the cult favorite which earned $ 11.9 million six weeks ago. This is not a large sum, but it was more than necessary to make a tidy profit on the futuristic sci-fi thriller of Leigh Whannell / 80s action / back-movie.
And since Unfriended: Dark Web is part of an established brand, it was self-evident that the movie would become the grossest gross of BH Tilt entirely by default. But that did not happen. With mixed reviews and a very low profile, Unfriended Dark Web only earned $ 3.5 million this weekend in 1,546 theaters. Now, with a limited marketing budget, it goes without saying that a week start of $ 3.5 million and a domestic total of $ 7.4 to $ 9.3 million are good enough for BH Tilt [19659003] Unfriended 64 million dollars worldwide thanks to Universal / Comcast Corp. in April 2015. Nobody was expecting a rehearsal this time, but I think all parties were hoping for something like a record opening (something over $ 5 million) and a record-breaking interior finish (whatever more than $ 12 million) for this established brand. The fact that this has not happened argues, once again, that intellectual property may not always be the answer. Blumhouse will be fine, but it's a modest disappointment.
Lionsgate debuted at Sundance Pickup Blindspotting in 14 theaters. The drama of urban gentrification (rightly so) written by Carlos Lopez Estrada and Daveed Diggs, directed by Estrada and starring Diggs and Rafael Casal, brought in $ 332,500 on his first weekend, giving him an average of 23 $ 750 per theater. Lionsgate will take the film wide next weekend, where he will join The First Purge, Sorry to disturb you and finally BlackKklansman in a refreshingly robust summer for politically-charged black cinema . As always, vote with your wallet!
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If you build it, they will come. By "that," I mean "R-rated action movies where an angry Denzel Washington (but zen) unleashes brutal and lethal violence on deserving villains." The Denzel Washington action movie has become a mark in itself, so the fact that The Equalizer 2 is his first real sequel is almost trivia. Whether vaguely based on an old CBS show is almost irrelevant. People came this weekend because they wanted to see another installment of Denzel Washington: Righteous Revenger Man .
Denzel Washington's first sequel brought in $ 35.825 million during its first weekend. Yes, in a surprise development, it's actually the best movie of the weekend. Notwithstanding the arbitrary rank ($ 34.4 million for Mamma Mia 2 is still great), this means that the film had a strong weekend multiplier at 2.67. This is just above the opening weekend of 34.137m (without inflation) of The Equalizer in September 2014. To be fair, this sequel faces another sequel popular ( Mamma Mia! ) in a crowded summer season
Without inflation, it is the largest opening weekend of Washington for a solo vehicle. It's his third opening weekend after American Gangster ($ 43 million in 2007, with Russell Crowe) and Safe House ($ 40 million in 2012, with Ryan Reynolds). Yes, Denzel Washington is a movie star. The first movie was opened just as the R – rated action movie was making its comeback. This is still among the first R-rated franchises of action (with John Wick and Kingsman ) since The Matrix finished in 2003. [19659018] This sequel sees Washington avenging a fallen ally, got mixed negative reviews about the same level as the first Equalizer . But the public did not care, the film having won an A of Cinemascore. It 's to Sony' s credit that they did not rush that and brought back the director (Antoine Fuqua) and the writer (Richard Wenk). I liked the first plus, but that's life. It still works clearly for the fans.
If he plays as a standard action film of Denzel Washington (thinks Magnificent Seven Eli's Book or The Taking of Pelham 1, 2,3 ), we examine a multiplier of 2.7x-2.9x. That would mean a national total of $ 96 to $ 104 million for the next $ 62 million. Overseas is an open question, while The Equalizer has a split national / foreign 53/47.
Sequels generally earn more abroad than their predecessors, but a similar split would still give $ 181 million to the film. Domestic total of 196 million dollars. So we could get The Equalizer 3 in a few years. And yes, it's worth repeating, there's no safer or consistent box office wager in this day and age of a Denzel thriller action Washington's mid-budget, ranked R. Despite all due respect to Ben Affleck (who did what he could), I can only imagine what could have happened by calling Denzel Washington " old and angry Batman "in the summer of 2013.
the weekend was that of BH Tilt Unfriended: Dark Web . This is (by default) the most publicized version of BH Tilt. Blumhouse's subsidiary was founded in September 2014 (Tusk was struggling to attract a theatrical audience) as a means of launching low-budget horror films with semi-broad plays (about 1,500 screens) in demography. targeted areas with a mostly digital marketing campaign and much cheaper than the one usually badociated with wide dissemination on.
Up to now, the company has had the usual ups and downs of an upstart in this Netflix / VOD era. For each Belko Experience or Inferno Green there is a Birth of the Dragon or Incarnation . They are emerging from their greatest success, the cult favorite which earned $ 11.9 million six weeks ago. This is not a large sum, but it was more than necessary to make a tidy profit on the futuristic sci-fi thriller of Leigh Whannell / 80s action / back-movie.
And since Unfriended: Dark Web is part of an established brand, it was self-evident that the movie would become the grossest gross of BH Tilt entirely by default. But that did not happen. With mixed reviews and a very low profile, Unfriended Dark Web only earned $ 3.5 million this weekend in 1,546 theaters. Now, with a limited marketing budget, it goes without saying that a week start of $ 3.5 million and a domestic total of $ 7.4 to $ 9.3 million are good enough for BH Tilt [19659003] Unfriended 64 million dollars worldwide thanks to Universal / Comcast Corp. in April 2015. Nobody was expecting a rehearsal this time, but I think all parties were hoping for something like a record opening (something over $ 5 million) and a record-breaking interior finish (whatever more than $ 12 million) for this established brand. The fact that this has not happened argues, once again, that intellectual property may not always be the answer. Blumhouse will be fine, but it's a modest disappointment.
Lionsgate debuted at Sundance Pickup Blindspotting in 14 theaters. The drama of urban gentrification (rightly so) written by Carlos Lopez Estrada and Daveed Diggs, directed by Estrada and starring Diggs and Rafael Casal, brought in $ 332,500 on his first weekend, giving him an average of 23 $ 750 per theater. Lionsgate will take the film wide next weekend, where he will join The First Purge, Sorry to disturb you and finally BlackKklansman in a refreshingly robust summer for politically-charged black cinema . As always, vote with your wallet!
