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Smeared wall and vilipesi Christian symbols. This is not satire
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with time, Italian jurisprudence recognizes the right of satire as an expression of the combined provisions of Articles 21.9 and 33 of the Constitution which respectively protect the freedom of thought and expression, the development of culture and the freedom of artistic creation. But like all rights, even that of satire "works" when it moves in a perimeter that ensures both the respect of the law and that of the common morality.
Coated wall
What did not happen in Ostiense district of Rome, inside an underground pbadage, where a mural depicting the Deputy Prime Minister and Minister of the Interior Matteo Salvini in a priest's robe, a crucifix wielded in one hand and a libretto in the other. On the joins of the leader of the League also appear the words "love" (right hand) and "hate" (left), like those of the disturbing preacher interpreted by Robert Mitchum in the film " river ".
Faith at the Sedan
The unknown author, in short, to bring to the sedan a government exponent not only deliberately soiled a wall of the city but also used attributable symbols to the Christian and Catholic faith, impacting the religious sentiment of millions of Italians. It becomes a sad (sometimes alarming) custom to exploit sacred symbols to make irony or to wage political battles . We repeat: the problem is not satire, nor the single politician who ends up in his viewfinder, but the way it unfolds. Ashamed in this case.
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