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The man who would be king …
In the portrait of Michael Jackson commissioned by Kehinde Wiley in 2010, the King of Pop is presented in the guise of a monarch of yesteryear , on a horse, in a luxury armor
in the mirror …
It is not a respectful copy of the portrait of Rubens referenced in the title. The angel of origin here becomes a pair of cherubs, there are flowers and Wiley's horse has better hair.
Look again …
The most important is the Wiley switcheroo worked on the history of art and power structures. the old masters: a world ruled by white men, rich and upright.
You have your money …
It's brazenly kitsch and it has to be. Wiley's glittering career saw him portraying black street men, hip-hop stars and Barack Obama in this revisionist style.
Double trouble …
However, his work has an intentionally troubling advantage. His beautiful body models are both celebrated and uncomfortably objectified
Included in Michael Jackson: On the Wall, National Portrait Gallery, WC2, October 21
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