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Long before Kefa Oiro met Samuel Githui, he pursued his pbadion for dance at the GoDown Art Center, working closely with contemporary dance artist James Mweu
Githui and Kefa had studios at GoDown, only one man was a visual artist, the other a contemporary dancer, each occupying his own sphere of the Center. Githui was concerned about incorporating more fluid movement into his art, which prompted him to move to the end of the Center and ask him if he could spend time with the dancer.
Githui appreciates the dynamism and grace of the dancer in motion was best seen in the myriad of black and white paintings recently exhibited at the Circle Art Gallery in Githui's personal show titled "Transformation."
His constant concern to reflect movement in people's daily lives He has often been seen in previous exhibitions when he painted cyclists on the road and pedestrians walking on zebra lines.
But what particularly interests him in his Circle Art show, is that he clearly studied the human form in motion. Kefa's skillful and skilful style served as a training ground for Githui in the sense that the show showed how carefully the artist studied the degrees of movement that the dancer went through to create a performance of refined and elegant contemporary dance.
Githui created a short five-minute video of Kefa in a dance mode, an integral part of the creative process, for both the dancer and the visual artist.
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