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"It's been nine years since I came to Korea, and it's a pleasure to meet you in July,
The Russian Demetrius Kitaenko (78) was somewhat surprised by this year's heat wave which did not escape Daegwallyeong. Nevertheless, Noshin, dressed in a long white pants in a long clean white shirt, unveils memories of Korea with generous smiles and a friendly tone.
Kitaienko, who met at the Alpensia Resort in Pyeongchang-gun, Gangwon Province, where the Pyeongchang Daegwallyeong Music Festival is held, is an orchestra conductor who maintains privileged relations with Korea
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He led the Moscow Philharmonic Orchestra as part of a cultural event at the 1988 Seoul Olympics, and gave a magnificent but lyrical "Russian sound" to the public. It was the first time that the conductor of the former Soviet Union (Soviet Union) was performing in Korea.
After having formed the Moscow Philharmonic Orchestra as the best orchestra in the world, he was selected as permanent conductor of the KBS Symphony Orchestra in 1999 and dotted with subjects. There are many music fans who remember the golden age of the KBS Symphony Orchestra until 2004 when he was a permanent orchestra conductor.
He said, "Since I made my first friendship in 1988, I have had good spiritual and musical relations with Korea," he recalls.
"The advantage of Korean musicians is that they are gifted for emotional expressions." "I do not remember the exact title, but I remember playing with them a beautiful Korean traditional song," he said.
He presented the Russian repertoire of his long-term to the Korean public who have met him for a long time. On the 28th, he appeared on the stage of the music tent at the outdoor music hall of Alpensia Resort, and presented Rachmaninoff's Piano Concerto No. 2 and Tchaikovsky's Symphony No. 4.
On this day, 'Festival Orchestra & # 39; composed of KITENKOKO who walked on Korean soil after 9 years and Korean artists active in a prestigious orchestra abroad. The title of the performance was named "Going Home".
"The art director who has played a few times in Europe suggested this scene, because he was a good performer and a good friend of the art director, so I gladly accepted it. It was interesting that we got together and returned to our orchestra. "
The philosophy of philosopher's music in the eighteenth century is "not to play on stage, but to play in the life of the public" and "to be impressed when leaving the theater".
For this reason, his performance is considered a strong inner strength instead of a brilliant technique on the stage.
The young conductor who pushes the orchestra solely through technology does not hesitate to shout.
"It's not so important to drive yourself in front of a mirror, or to follow the conduct of other drivers in the picture, but it's very important to think and feel your own. Do not look at driving, I want to see how the orchestra and the music are changing according to his wand. "
Another important point when talking about him is human and democratic leadership.
His orchestral training is deemed rational and humane. He said he hated singing "Hey, Oboe", "Hey, Trombone".
"An orchestra is not a set of instruments, it's a big family of people playing musical instruments, I want to make sure that the oboe is important and that the interpreter who calls it is important. "
(News from Pyeongchang-Yonhap)
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