Korean dramas emerged as "official recipes" in Japan



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[웹데일리=고경희 기자] The drama that has reshaped Korean content at the Anbang Japanese Theater this year has been highly acclaimed and has become a popular box office.According to the Korean Agency for Content Creation (KIPO) published on March 31, 15 Korean dramas and films were produced as Japanese remake dramas.

Especially this year, <시그널>, <굿닥터>, <기억>, <세븐데이즈> And in total, four works were produced as a remake and received a positive rating.

In 2004, as a remake of Japanese television Asahi, Korean dramas of various genres, such as ,,,,,,, reborn as a Japanese version.

In the 2000s <선물>, <두사부일체>, <내 머릿속의 지우개>, <엽기적인 그녀> And other excellent Korean films have also attracted attention in Japan as a drama remake.

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Remake of the drama "Unfair Long-Term Affair in Japan & # 39; (photo: Kansai TV)

This year, the number of Korean content remakes increased sharply following the thaw in relations between Korea and Japan. KTV and Fuji TV NEXT have been reborn in Japan for more than a year.

Films released in 2007 <세븐 데이즈>Also was remake on Asahi TV with Matsushima Nanako, titled "Queen of Viewership".

KBS drama popular in Korea in 2013 <굿닥터>Was redone on Fuji TV in July. Japanese edition <굿닥터>With an average audience of 12% and a revival of the Japanese house theater for about two months. It is reported that he is currently reviewing the production of season 2. This is an badysis he has managed to locate as a story spread in the universal space of pediatrics and the know-how of the manufacture of medical care and rituals of Japan.

These last years, <콜드 케이스>, <스니퍼>, <슈츠> In addition to German works <더 라스트 캅> Are actively renovated.

In particular, Korean series attract new audiences as well as existing Korean fans and are more likely to reach the Japanese market with remake ticket sales.

Hwang Shin-hye, director of the Konkjin Japan Business Center, said: "Recent Korean dramas have achieved both quantitative and qualitative success, and there is an active exchange between the Korean and Japanese content industries." We will continue to support our content, I will not save you. "

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