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A total of 24 projects will receive support for scenario development, production and post-production.
The Busan International Film Festival (BIFF) unveiled Tuesday the 24 winners of this year's Asian Cinema Fund, who will benefit from support for scenario development, production or post-production and / or invitations to the South Korean festival. Since its inception in 2007, the Asian Cinema Fund has been recognized for having introduced outstanding Asian films to the international community, such as the 2012 film by Korean director O Muel Jiseul, first local film to win a great price. the Sundance Film Festival
Last year, the program launched the Production Support Fund to reinforce its commitment to independent film. The 2018 winner of the Production Support Fund comes from Lim Dae-hyung's house Snow Moon a high school girl who discovers a love letter to her recently divorced mother. Lim will receive a grant of 200 million won ($ 180,000) and post-production support for the film, which will be premiered at the 24th Busan Festival in 2019.
This year's organizers have declared Filmmakers Nepal, Bhutan, Mongolia and the Middle East, where the Busan Festival is of constant interest, presented high-quality projects, reflecting the growth of Asian cinema and the growing number of talented filmmakers. "
The five projects supported by the Script Development Fund include: Rakan Mayasi's Facto (Palestine, Lebanon) Cheung King Wai's Idiots (Hong Kong, China) In the belly of a tiger by Siddartha Jatla (India); Moon Night Diver of Shingo Ota (Japan, Taiwan, South Korea); and The Palace by Anil Ranjan Baral (Nepal, Netherlands, United States).
Post-Production Fund support will go to six prominent projects of regional directors: Fly by Night Zahir Omar (Malaysia), House of the Hummingbird by Kim Bora (South Korea), Maggie by Yi Okseop (South Korea), My dear friend by Yang Pingdao (China), Nakorn-Sawan of Puangsoi Aksornsawang (Thailand) and Sub-zero Wind by Kim Yuri (South Korea).
The movieswill receive in-kind support includes digital intermediate (DI), sound mixing, tracking of English subtitles and digital cinema ensemble (DCP) quality post-production studios in Korea from South. Partner companies include Korean film group KOFIC, CJ POWERCAST, Imageworks 2L, Wavelab STD, SH Studio, Plus Gain, Pluto Sound Group and KUMTLE.
12 titles have been selected Asian Network of Documentary (AND) Fund, which helps theatrical releases for feature films.
The organizers note an "increase in the number of co-productions", which is "a welcoming trend as it shows that Asian documentary filmmakers are"
"This year's selected Asian projects depict the lives of ordinary people." 39, a simple and poetic way, which are in the midst of extreme circumstances such as war, displacement, urban development. "
The winning works are: 206 – A fragmented past uncovered by HEO Chulnyung (South Korea), Absence by Ekta M (India), Blue Island by Chan Tze Woon (Hong Kong), Castle by Hamed Zolfaghari (Iran), Kabul Dystopian Symphony by Aboozar Amini (Afghanistan, Japan, Netherlands), Last Night I Saw You by Neang Kavich (Cambodia ), Odoriko by Yoichiro Okutani (Japan), [194] 59006] Phuong Thao Tran's Pomelo (Vietnam), The Primate Citizen by Sinae Ha (South Korea), The Silhouettes by Afsaneh Salari (Iran, Philippines), To Name of Hyunsook Joo (South Korea) and You of Byun Gyuri (South Korea).
The selected projects will be invited to participate in the AND program at the 23rd Busan International Film Festival, which runs from October 4 to October 23, 19459008 . 13. The program will provide mentoring and networking opportunities to support documentary projects. BIFF Mecenat and BNK Busan Bank sponsored the ET fonds
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