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What is there in small towns and mysteries of murder that work so well on television?
The situation in a city where everyone knows everyone with a continuous police investigation (usually the weird kind) Broadchurch, The Killing, True Detective and Dark .
However, what ultimately leads to such a spectacle are the characters in that city. They are imperfect individuals who are overwhelmed and haunted by past events in their lives.
It is the examination of these people of the city and how they react to current events that affect the audience, as much as the resolution of the crime itself.
The HBO adaptation of Gillian Flynn's first novel Sharp Objects has all these ingredients, and more.
If the name Flynn is familiar, it's because his other novels – Gone Girl and Dark Places – have been adapted to the big screen.
The novel's publication is an exceptional cast that includes Amy Adams, Oscar-nominated Patricia Clarkson, Chris Messina and Eliza Scanlen.
'Am I invisible to these two people? & # 39;
Sharp Objects sees Adams play Camille Preaker, a reporter not fully assigned to cover the murders of two pre-teen girls in the small town of Wind Gap, Missouri.
One of the reasons his editor chose it because Camille hails from Wind Gap – a place that holds him good, bad and downright disturbing memories.
We also learn that she lost her sister when she was young – something she and her mother (Clarkson) finished.
While Camille is looking into the current murder, her old problems are starting to resurface
Now we know why Camille's constant companions are alcohol, distorted memories, and swings from all over the world. mood.
Adams manages to spread the pain of his character and suppress his emotions with just a sad look or a troubled facial expression. The actress and Clarkson give a fascinating interpretation to the troubled mother-daughter relationship – mom is still bossy and Camille is still a rebel – making this more interesting than the murder case.
"I wake up looking like that." It's not that murders have something to be blamed for, especially when you learn that the city has had more than a few unresolved murders over the years.
Are old murders somehow related to current murders? What is the truth behind the death of Camille's sister?
All of these questions swirl around the show, focusing on Camille – a woman who finds the relief of a painful life by sculpting words like "Sacred", "Hurt", "Bad" "On all her She is a cutter, she says.
The series also has the masterful direction of Jean-Marc Vallee who is responsible for the eight episodes of Sharp Objects a feat similar to the one that 's the same. he snapped beautifully with Big Little Lies last year .
Although you get angry at random flashbacks first – because they reveal almost nothing, and are sometimes confused – you'll be amazed at how these scenes are presented.
Vallee also uses music to reflect Camille's emotions – you hear songs from Steve Miller's Band, The Acid and Led Zeppelin
C & # 39; is here that the series hits its first stone of achoppem ent: the soundtrack – to a music lover like me – seems prettier than cool.
However, at the same time, I'm questioning about the meaning of Camille's broken iPod and his musical taste.
She never promised you a rose garden. That's why all the petals are on the ground
Another major flaw: Valley should have done Sharp Objects shorter than eight episodes.
The first episode moves particularly at such a slow pace that it's a mistake to watch the show when you're tired. (I fell asleep twice!)
Yes, lingering on so many scenes provides great aesthetic pleasure, but they are useless when the audience has no context or knowledgeable about them. characters.
been better, at least for the first episode.
The series also uses a number of stereotypes of small towns to drive the story of the murder investigation – rebellious teenagers, outsider cop, the poor judged as untrustworthy witnesses, while the words rich people are pure gold.
Fortunately, the pace accelerates from episode 2. While flashbacks reveal Camille's past more, his gift becomes more intriguing.
Sharp Objects requires your patience. But with competent actors, good writing and mysteries that keep you going, it's worth it.
The series shows why mystery murders, imperfect characters, and small towns are a good mix.
few monsters are hiding in a neighborhood that you think you know so well. And – which is really scary, it is probably somebody you really know.
Sharp Objects is broadcast every Monday at 9 am and 10 pm on HBO (Astro Ch 411 / HD Ch 431).
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