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The Louvre has dedicated a new artistic tour to Beyonce and Jay-Z after the biggest pop couple shot the video of their latest hit at the Paris museum
The hit song of the R & # 39 stars B Apesh * t – who used some of the greatest masterpieces of the museum as a backdrop – has been viewed 56 million times on YouTube since it was released. a fortnight ago.
The Louvre, which already has a tour based on The hit of the American rapper will.i.am Smile Mona Lisa created another based on the night of the Carters at the museum
It follows the video through 17 paintings and sculptures that appear in the six-minute clip, ranging from the monumental Greek white marble Nike From Samothrace to Mary Benoist Portrait of a Negress .
The choice of works that they used or put before was taken as a celebration of black bodies and empowerment in an institution that was built on the spoils of conquest and loneliness. Imperialism Portrait of A Negress was painted in 1800, six years after revolutionary France had abolished slavery in its Caribbean colonies for Napoleon to reinstate it two years later
. Perhaps the most striking picture is that of Beyonce at the center of a line of black dancers in front of David's song, "I can not believe we did it"
The song is part of their surprise joint album, Everything Is Love – their first – that they published under their real name, The Carters. Is a celebration of African-American identity and their marriage, including the problems and infidelity of Jay-Z, Beyoncé, in his 2016 album Lemonade . [19659002] The 90-minute self-guided tour is currently only available in French but other languages are likely to follow
The guide describes in detail each piece of art in the video, but does not specify what it is used to mean in the video.
But Professor James Smalls, of the University of Maryland, has describes the video – directed by Ricky Saiz, who also made the Beyonce Yonce clip – as "arresting … I would go so far as to say brilliant."
argued that it "appropriates, exploits and reinterprets Western paintings and sculptures to illustrate and celebrate the success of the Carters, and black bodies in an artistic canon inextricably linked to the stories of colonialism.
"Video is a unapologetic visual and sound manifesto about spaces, power and control," he wrote in Frieze magazine.
"It's About Body – an orchestrated contrast of energetic black bodies that twist and stand against fixed white forms of the past.] The Louvre refused to say how much the couple paid to shoot their video in front of Mona Lisa, the Venus of Milo and that of Gericault The Raft of the Medusa in which Jay-Z poses while watching the muscular black hero at the top of the canvas.
The director of the Louvre, Jean -Luc Martinez, said that he wanted to make the museum's vast collection "more readable" for a
Last year, more than two-thirds of its 8.1 million visitors were foreigners, half of whom were under 30. – AFP
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