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World of Abstracts
August 10, 2018
Who said that a scribble or a scratch is worthless? Discover these resumes sold for a fortune thanks to their minimalist look.
Untitled (1970) by Cy Twombly
August 10, 2018
Cost: $ 70.5 million
What looks like chalk on a slate is actually an oil-on-canvas home painting by Edwin Parker "Cy" Twombly Jr., which got a record prize for the artist at the sale of Christie's 2014. One of Twombly's paintings on the chalkboard, the 1970 work is inspired by his stint as a cryptologist. What's interesting is how he did this work. He was sitting on the shoulders of a friend who walked the full length of the canvas, thus allowing Twombly to create fluid lines. The owner of the painting, Audrey Irmas, a philanthropist, broke away from the painting to raise money for her foundation for social justice. Interestingly, Irmas bought the chart for $ 3.85 million in 1990.
(Image: www.christies.com)
Ellsworth Kelly's Green White
August 10, 2018
Cost: $ 1.65 million
As part of the Robert and Jean Shoenberg Collection, this 1961 work was put on the market at the Christie's 2008 sale. Kelly was a camouflage artist during his stint in the 1940s. was part of the unit called the "ghostly army", made up of artists and designers who painted objects that could mishandle enemy soldiers.
(Image: www.christies.com)
"Orange, red, yellow" by Mark Rothko
August 10, 2018
Cost: $ 86.88 million (including buyer's premium)
Vibrant orange, red and yellow rectangles were part of the David Pincus collector's field and were marketed by Christie's in 2012, where its sale set the record for contemporary and post-war art. Rothko's work in 1961 remained with Pincus for four and a half decades. The final auction was double the highest estimate of the art work.
(Image: www.markrothko.org)
& # 39; Concetto Spaziale, Attese & # 39; by Lucio Fontana
August 10, 2018
Cost: $ 16.2 million
The 24 vertical tears on a 7-foot wide, water-based crimson canvas were played for about a minute and 30 seconds at the Sotheby's 2015 auction. Still, the painting was sold below the low estimate of $ 15 million made in presale. It turns out that Fontana had the inspiration to paint this work by watching Red Desert, a 1964 film created by Michelangelo Antonioni, who won the Golden Lion at the Venice Film Festival. In fact, the inscription on the back of the painting, in Italian, indicates: "I returned yesterday from Venice, I saw the film of Antonioni !!!".
(Image: www.sothebys.com)
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