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THere is a charming and easy journey of this fiction documentary directed by documentary filmmakers João Miller Guerra and Filipa Reis. He has a warm and open atmosphere as he follows his nose into the landscape, building episodic encounters with local nonprofessionals in a quest narrative. Ruminating rationally on the nature of cultural belonging and exclusion, he is pleasantly laid-back, although I admit that I had the impression that a little more narrative structure and energy would not have occurred. badly unrolled.
The musician Miguel Moreira interprets Djon, essentially a version of himself – a Portuguese whose family comes from Cape Verde, the island island and the former Portuguese colony located 385 miles from the west coast of the Africa.
Djon does not do much all day, shuffling around in the apartment of his exasperated grandmother, hanging out with his girlfriend and rushing from time to time to help her sister on her flying expeditions. ;display. But when an old lady in the street says that she knew her father depraved and devoid of lag in Cape Verde – the man who escaped the death of his family – and that he looks like him , Djon is pushed to go there in order to find the old man and find himself, too.
I found myself smiling at this film while the friendly Djon met various people who helped or hindered him, and the film looks great because it shows various places on the island. Where are we going with all this? A great discovery? Well, there is a kind of discovery: Djon's journey leads him to the truth about fatherhood and responsibility. An assembly of plays and atmospheres, beautifully shot.
• Djon África is published in the United Kingdom on August 16th.
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