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Sundance 2019 is preparing well, but several new highly anticipated films of Jordan Peele and Benh Zeitlin will not be present.
Yesterday, the Sundance Film Festival announced the bulk of its programming for 2019, paving the way for the year of independent American cinema. For a small handful of filmmakers, this slate was a dream come true. For many, many others, the news has been an overwhelming disappointment. Many of the projects that IndieWire has included in our annual Sundance wish list have been finalized. a lot of such enticing features do not have it. And yet, the seemingly monolithic festival is not the ultimate goal that the media (and the film community as a whole) often describe as such. AT quote independent veteran Mark Duplass: "Sundance is great, but Sundance is not everything." This is not because a movie does not have the privilege of making the first appearance in the lean and rarefied air of Park City does not mean it's not worth it to enthuse him. It was not the right solution for this particular program, or maybe it was not finished in time to meet the strict deadline of the festival in the winter. We should be so lucky that a festival is not big enough to hold all the independent tournaments we are looking forward to seeing.
That said, here are 10 films that are unlikely to play Sundance 2019, but we encourage you to stay alert throughout the year.
Sundance 2018 Film Festival
Frey / EPA-EFE / REX / Shutterstock
"Bad hair" (Justin Simien)
Justin Simien is already a darling of Sundance with his first critically-acclaimed feature film (and his upcoming Netflix series) "Dear White People", which premiered at the festival in 2014. His sequel – a satire of his own. Horror that follows an ambitious young woman immerses herself and struggles to survive in the world obsessed with the image of music television – promises to be a work that entertains and represents both a mirror for society. Simien called the project a "letter of love to black women and criticism of the cultural forces inflicted on them by our society". "Bad Hair" has not deciphered the list of players from 2019, but given Simien's track record, there is probably more to be done. with the quality that the film is not ready in time. -AT
"Corporate Animals" (Patrick Brice)
Patrick Brice has imposed himself as a horror director at once disconcerting and full of resources ("Creep", "Creep 2"), and someone who is able to handle an extreme modern comedy with an impassive face (see "The Overnight" must be frightened forever). With "Corporate Animals", Brice will try to find the middle ground between his two favorite genres. If the premise seems innocuous, the details suggest a disconcerting hilarity: Demi Moore interprets the role of Lucy, the tyrannical CEO of a company that makes edible cutlery. And while this alone could be the basis of a horror film, things get even more disturbing when she directs her staff (Karan Soni, Jessica Williams) during a retreat from team-building in the caves of New Mexico. Naturally, the team is trapped when the caves become involved and their hired guide (Ed Helms) does not seem to be giving the proper help. Will they eat their knives or use them on each other? "Corporate Animals" seemed to be a sure bet for a premiere in the NEXT or Midnight sections of Sundance, but it is currently untraceable. At this point, it seems likely that SXSW will make its appearance a few months later. – DE
"Bird flying high" (Steven Soderbergh)
Steven Soderbergh is synonymous with Sundance and the making of independent films in general, and even his failures are defined by his iconoclastic spirit. He shot "Unsane", released at the beginning of the year, entirely with an iPhone 7. And apparently, he did the same for this satire of rapacious capitalism in the sports world about an agent (Andre Holland, so electrifying in "Moonlight") that offers a controversial way for a newbie basketball player to earn money during an NBA lockout. Soderbergh, an avid supporter of digital production and editing tools, has boasted of having assembled the first copy of the film on his laptop less than three hours after his filming. The film would be ready for use in January. At this point, smart money says it will debut in Berlin the following month. -CB
"The team to kill" (Dan Krauss)
After bringing instant successes such as "Hereditary" and "Eighth Grade" to the festival last year, A24 has made it clear that Sundance was the perfect springboard for the brand's brand-name brand of high-quality, independent foods. and yet one of their biggest titles. for 2019 is currently missing in action. "The Kill Team" is a drama of the war in Afghanistan that author-director Krauss adapted from his 2013 documentary of the same name, nominated to the Emmy. Nat Wolff is portrayed as a young soldier who attends the assassination of civilians by his American colleagues and wonders whether or not he should report on his easy trigger platoon (a unit led by Alexander Skarsgård) . War movies rarely appear Sundance, which could explain the absence of the film. Seek it for the first time at another major festival later in the year. – DE
"The kindness of strangers" (Lone Scherfig)
"The Kindness of Strangers" from "Dogme 95 Alum Scherfig", who launched his most acclaimed film to date, "An Education" at Sundance 10 years ago. She then continued the Oscar-nominated film with an adaptation of David Nicholls' One Day, then rebounded with The Riot Club and The Fineest. The magic of Scherfig in 2009 Hopefully his omission in the Sundance 2019 list is not an indication of the opposite. -CB
"Limited Partners" (Miguel Arteta)
As a result of "Girls Trip", the audience asked Tiffany Haddish to expand her lineup. "Sponsoring Partners" may be the first window on this potential, as they associate the actress with Arteta ("Star Maps", "Beatriz at Dinner", a Sundance regular) for a Paramount-produced drama and featuring two women whose friendship is threatened. business is reaching a big turning point Arteta remains an unpredictable filmmaker whose mood balance and attention to nuanced characters are good assets to deepen Haddish's palette. We can only hope. -ek
Untitled Miranda July Movie (Miranda July)
It's been almost a decade since July's singular talent presented his latest feature, The Future, in Park City, and we may have to wait a little longer. Although the break-up has certainly been busy in the meantime (she even co-starred in Sundance's flagship feature, "Madeline's Madeline"), the festival could still use a dose of her special talents. His next project sounds as intriguing as ever, presented as a funny-behavior robbery movie, following criminal parents who invite a stranger to join them for their greatest work to date. Now that it's not Sundance, it's possible that Berlin will bite. Otherwise, the expectation is likely to extend in the fall or even the following year. -ke
"We" (Jordan Peele)
"Get Out" has become such a gigantic cultural phenomenon that it's easy to forget that the film began its journey to Sundance as a midnight surprise show. It's safe to say that the comedian's second feature-length film is one of the most anticipated films of 2019, although much remains to be done. Seemingly another social thriller about race relations in the 21st century, the film also has real potential as a showcase for an actor, with Lupita Nyong'o, Winston Duke, Elisabeth Moss and Tim Heidecker leading the cast. The pressure is strong for Peele to meet incredibly high expectations, but the confidence of his early days suggests that he knows exactly what he is doing, and "We" will be a hot topic wherever he appears. It is still possible that a secret screening will always be presented at Sundance – and with an expected release date of March 2019, the film will certainly be ready in time – though it is unusual for the festival to do it twice for the same director. In the current state of things, SXSW could now be the safest bet. – EK
"Wendy" (Benh Zeitlin)
It has been eight years since Zeitlin 's "Wild South Beasts" took Sundance to storm, heralding the arrival of a great visionary filmmaker. Zeitlin has made a lyrical portrait of a New Orleans community with a tricky DIY approach in the confines of his film collective Court 13; While the Oscar nominations and the film's acclaimed reviews brought him more resources, he continued to take his time to work in his own way. Finally, it seemed that he was perhaps ready to unveil his "Peter Pan" "Wendy", the story of a young girl kidnapped and taken to a destructive ecosystem where mystical pollen breaks the relationship between aging and time. In fact, "Wendy" has been around for so long that IndiaWire has included it in last years Sundance Wish List. Alas, Zeitlin still has some chances to shoot, so it was out of the question to bow to the 2019 festival. Maybe the film will be premiered in France a few months later. -ek
"Wyrm" (Christopher Winterbauer)
In 2013, at the Sundance Festival, a young Damien Chazelle arrived for the filming of a short film entitled "Whiplash". 2014, and the rest belongs to history. "Whiplash" is a success story for Sundance and "Wyrm" seemed about to follow in his footsteps. Director Christopher Winterbauer turned his head at Sundance earlier this year with his short film about an alternative reality in which teens must meet a requirement of sexuality to get out of puberty, making the festival a natural springboard for adaptation long duration. Everyone will guess, but be sure to keep your eyes open. -ZS
Sundance will announce further additions to its lineup, including selections of short films, independent epis and new frontiers, in the coming days. The 2019 festival will be held from January 24 to February 3 in Park City, Utah.
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