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There is a scene in Debra Granik's remarkable and unavoidable film, Leave No Trace, where a girl learns bees. You must develop trust to manage them. They will not sting you if they trust you. You can even pick them up with your bare hands. They do not really want to sting you. The girl ends up learning to handle them without protection. The scene, like every scene in this exquisite film, is stripped of ambient music to tell us what to feel or heavy symbolism or foreign emotion. Yet he is there – the metaphor for human relationships. Humans at war. Humans expelled from homes. Fathers Foreign Girls. Soldiers
Leave No Trace has a 100% score on Rotten Tomatoes which should mean that people are talking about it, but of course there is a lot of noise out there and that noise may have erased the deserved buzz for what is easily one of the best movies of the year. It's rare for me to see a movie that changes the way I see the world, but this one did it. I was caught off guard by the way I became involved in the story of this father suffering from PTSD who can no longer live among people – and his impressionable and bright daughter who must do it.
Ben Foster plays Will, a veterinarian who hunts the daily demons, and found a way to live the only way he can: in makeshift camps in the forests somewhere in the Pacific Northwest. He did such a good job in raising his daughter Tom (Thomasin McKenzie of New Zealand), even with the trauma that he undergoes daily, that it's hard to come up with a good argument for why they do not should not live as they do. Except that, of course, her life is just beginning and that there is a big world to see for her.
Without holding back, without inserting his own paranoid ideology into his life, he always seeks to protect her from he sees as a dangerous world. And you know what? It is difficult to argue with this idea. Once they are both placed in custody and what happens for a normal life here in America, we are faced with the strangeness of our lives without even knowing it or we Let's be attentive – how our material defines us, how materialism measures success. How interactions with people can be problematic and how easy it is to escape from all that and live in the middle of nature where there are rules of survival but rules that can be clearly understood.
Leave No Trace Granik, co-adapting Peter Rock's novel with Anne Rosellini, allows the story to breathe so that you feel that you're there with them while they press for foam. forest to drink water, while their shoes torn forest floor covered with wood. The calm of the desert sometimes interrupted by invading sounds of civilization. The question becomes how can they live like this? And then, it ends up turning into how we live like that ?
This is a movie about why we need other people. And the comfort and kindness of the animals. It's about our vulnerability and how our minds and hearts can be broken easily in times of extreme violence, such as war or social upheaval. There are insights of compassion, of those who helped them find a place to sleep, or heal their wounds, or simply teach Tom's young things how to take care of a rabbit or how to light a fire
with its own risks, as you know, there are a hundred ways to screw up your child. You simply hope that you will not do it and do your best, but parents like Will have to find a way to avoid suffering trauma to their children. He is doing very well until he is old enough to realize that his father 's isolation is not a way of life.
At the end of the film, we do not know if Tom or Will can finally survive something called life. But you can not really run away or refuel without other people. We are a tribe called human. We must learn to live with each other, because the bonds of friendship are too difficult to live.
The film is entitled "Leave No Trace" because that's what you have to do when you're hunted. But throughout our existence, we, as human beings, have left footprints, drawings on cave walls. Even our waste is a reminder and an imprint of what we have done and who we are. Placing yourself in a community means that you have to mark it in one way or another, so someone will remember that you were there.
It's a perfect film from writing to action to staging. The quiet brilliance of Ben Foster, that's what he says so much without saying anything at all. His buried emotion gives way to McKenzie to fill the story and since these notes are subtle, not obvious, always honest, Foster's quiet determination allows for the necessary balance; it is important for us to live within what McKenzie lives. This film talks about his inner world.
It's been eight years since Debra Granik's Winter Bone became a nominee for Best Picture and launched Jennifer Lawrence's career. Although McKenzie does not have the same explosive role as Lawrence, she still makes the same kind of impression that you can not forget.
The Oscar race has become such a well-oiled machine. We know how each film could fit into the Oscar story of a given year – probably this movie has a chance to be discussed for the best screenplay, maybe for the best actress for McKenzie. If buzzing prices help to show, then it's worth it. But disregarding such an exquisite film because it might not be accepted by Oscsr voters would be a shame.
I do not know what kind of industry is Hollywood that would not be able to feed someone as talented and talented as Granik with more opportunities. Leave No Trace is a reminder that cinema always has the power to transform our way of thinking, to move us immensely and to help make sense of the chaos of life each morning when the sun rises.
do not miss Leave No Trace.
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