The film that shakes Poland | Fagpressenytt



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Last weekend, I was at the Odeon cinema in Oslo, in a movie theater filled with compatriots. In addition to the language used on information screens and liquorice sweets in store shelves, Odeon could end up in Warsaw this weekend: you've heard Polish everywhere.

Upon entering the Storo subway, I went counterclockwise in a wave of Poles, who fled to Odeon to see the next of the four overlapping views on the island. Poster tonight.

We were there to watch the movie "Clothes". In English, the movie "The Clergy", in Norwegian, would probably have been called "The clergy". There is an implacable critique of the Catholic Church in Poland, led by Wojciech Smarzowski.

"Clothes" was created in Poland on September 28th and arrived in Norway on October 19th. In addition to my tastes and pleasures, I have no particular prerequisites to evaluate its cinematic value. But as a person who has a strong social interest with Polish roots, it arouses enthusiasm. Not only because of its content and quality, but because of the reception received.

In Poland, more than four million tickets have been sold to date, and the film has already surpassed giant American productions such as "Titanic" and "Star Wars: The Force Awakens". In Norway, it is broadcast in about 40 cinemas in the country and the distributor KINO Project is still trying to broadcast it in several places.

Thanks to the great interest of the Poles in Norway, the KINO project had to present a series of new performances, after the sale of the performances initially planned – certain places in less than one hour.

Raw laughter and upset silence

As a cinematic experience, "Kler" is definitely recommended. The story is told with a glorious balance between seriousness and ease, and the act engages. The hall has often burst out laughing, often contemptuous and relentless. But there were also moments of sorrow, suffering and cruelty that soothed everyone.

Through his four main characters – three priests and an archbishop – the film shows the poor little village waiter and the rich and great gentleman who carries the curse or the Vatican. The poor and rich churches create their own circumstances of immorality.

The lonely ecclesiastic, frustrated and living in simple conditions, is a pole of power

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