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19:20, EDP stage
American Vice magazine describes the latest album from Oddisee, The Iceberg : "It's good as lightning." Time magazine, however, preferred to highlight the NNGE theme video as "an ode to African American resilience". The 33-year-old music producer and rapper has been making music for several years, but the last ones have been ones in which he has been recognized as one of the best of his generation. Son of a Sudanese father and an African-American mother, Oddisee is distinguished by the way he combines innovative sound formulas with a rarely heard speech in his musical environment. It is only a shame to act at the same time as the talented counterpart of Oddisee in Porto, Virtus .
The sound references are eclectic, jazz and soul that were heard in the 1990s hip hop if you hear in one of the R & B and current trap. The mix is interesting but it would not come out without the talent for Oddisee's rhymes, with his interventionist, humanist and critical messages about what surrounds him. At the same vice, the rapper said, "My message is to try to get everyone together so that people realize that they are not so different from each other." Already in the song "NNGE", he turns the needles of his country with insight: "I mean, what is there to be afraid of? I come from America, that's It's just another year. "After playing at the Vodafone Mexefest festival with DJs, Oddisee made his debut in Portugal with his talented band, Good Compny. As evidence of the live album that he published in November, his music is developing a lot in this format. "Like really?"
20h, Super Bock
Last year, without a perfect concert (the microphones of the guests failed, the musician was not very mobile because of an injury), Slow I was one of the revelations of Super Bock Super Rock. It's so much that the festival organization has decided at a glance that from the secondary stage in which he acted, the rapper, singer and musician (whose baptism is John Baptist Coelho) had to jump on the main stage this year. And the deal was made right there, in what appears to have been a smart choice to do what the Black Ears did two years ago, the night the highlight was Kendrick Lamar: launching the game on the main stage.
Since he published his album The Art of Slowing Down Slow J did not do it. was motionless. He tours extensively throughout the country, becomes a partner of rapper Papillon, collaborates actively in the composition of his first album ( Deepak Looper ), releases a new song "Hunger" and participates in d & # 39; other titles: "Never Pairs" (from Stereosaurus, with Papillon and Plutonium as other guests), "Alma Velha" (from rapper Valas), "Puristas" (Beatbombers), "Melodia-me", a great success that was only He recorded with Richie Campbell and sang with him at Arena Altice for more than ten thousand people. This year's concert is not lacking in reasons to be a different and bigger festival than in 2017. If the previous concert was proof that Slow J entered the first Portuguese hip hop league, this year will answer a question: Will Slow J have already entered the first division of national music?
9:10 pm, EDP scene / 9:10 pm, LG scene
Between the concerts of Slow J and Anderson Paak, two of the most anticipated concerts of the night, the remaining stages will not stop and will have two interesting options to continue the night. Whether it's the feminist hip-hop of American Puerto Rican rapper Princess Nokia (destiny Nicole Frasqueri) or Portuguese pop-folk Luis Severo, deserves to be listened to. Being assured of quality, it is best to decide according to the will of the moment: if you are already tired of listening to rap, it is better to watch Luis Severo; if you want to continue on the same wave, then the American concert is the most indicated.
22h, Super Bock
He will share the lead role with rapper Travis Scott. Having a more heterogeneous audience than Scott, which is particularly popular with the youngest, Anderson Paak is able to fly at night, especially because he transforms hip hop, soul, funk and jazz into a musical party. furious and unlimited. Make him one of the great musicians of the moment. Add to that a band that knows all the lessons of groove – The Free National – and the expectations for the return of .Paak to Portugal are the best, after the musician made the concert of
Born in California, currently 32 years old, Brandon Paak Anderson plays drums, sings, rhymes and even adventures in other instruments. Always with efficiency and energy. After starting a complicated decade in which he lived homeless with his wife and a small child, Paak began to invest in music and released in 2014 the first album with this stage name, Venice His name began to be talked about on the Hip Hop and R & B circuit, until in 2016 Anderson .Paak published Malibu his most notable album to date and the one that got him earned a Grammy nomination in the category of author of this year's best contemporary urban album). In 2017, he released the album Yes Lawd! with the parallel project NxWorries (a duet with music producer Knxwledge) and will launch this year the successor of Malibu . Still with no known release date, we already know that it will have as its title Oxnard Ventura and it is one of the most anticipated records of the year. That there is a party.
23:50, Super Bock
Anyone who is not a fan of auto-tune – a vocal effects tool widely used in trap music, a modern hip-hop variant – it's better not to go through the Travis Scott concert. The 26-year-old Texan rapper and singer uses and abuses this tool. For the purists, it is an immediate income for the disaster, but for those who have already noticed that it can be well or badly used, according to the author and the intention, this will never be a reason for remoteness. Listen to the way Kanye West has been using self-tuning for a few years. Kanye who (like Kid Cudi or Toro Y Moi) is a strong influence of Travis Scott and participated in a single recently released by the young man, "Watch".
That said, it is undeniable that good) the production of machines and studios is one of the secrets of Travis Scott, who had the merit of knowing how to use these technological tools in the service of festive, carefree songs and hedonists. Songs that, not remembering the verses or the lasting impact they leave on the listeners, appeal to an impressive immediacy of movement. In Super Bock Super Rock, Scott will have many fans, especially young ones, who will jump, shake their heads and party during the show. It remains to be seen if Travis Scott will be more effective in transposing his music on stage than Future last year at this festival, for another (significant) part of the audience, also a hip-hop and R & or A $ AP Rocky a few weeks ago at NOS Primavera Sound. It's hard for the concert to not be better, but the over-exploitation and insufficient time of pre-recorded music can be a powerful anti-climax. For many, it's a long-awaited beginning in Portugal. Consensual, this will hardly be the case
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