Carmen Dolores will be in the audience to see herself in "Carmen"



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In 1983, back from a season in Paris, Carmen Dolores played alongside Curado Ribeiro Comedy at Moda Antiga by Alexei Arbuzov. The show, directed by Jorge Listopad, was premiered at the Teatro Aberto in Lisbon. In the autobiographical book On the Stage of Memory published in 2013, the actress recounts conversations she had with the many spectators who would congratulate her in the end. One day, Natália Luiza appeared: "This young woman who had just left the Conservatory was still crying with emotion when she went to talk to us, all her nerves and her sensibilities."

The question makes her smile today. "Oh, I remember that she was very emotional at the end of the show," says Carmen Dolores. "Who could have imagined?" Who could imagine that in 2018 "this young woman" would be on stage at the Trindade Theater to perform Carmen the show written and directed by Diogo Infante in tribute to the actress, now 94.

Incidentally, the meeting between Carmen, Diogo and Natalia is, on its own, the plot of a play. After the moment reported, Natalia Luiza had her professional debut at the theater at The Cherry Garden in Chekhov, right next to Carmen Dolores. In 1986 Diogo Infante participated in one of the Open Theater nights. "I came to Lisbon to audition for the Conservatory and I took the opportunity to go to the theater, I remember being very touched by the energy of two actresses, Carmen and Natalia", he recalls. "

It is that the future would provide them with many other encounters. In 1992, they all entered Ibsen's play Espectros at the Teatro Experimental de Cascais, staged by Carlos Avilez. It was then that this friendship began to be born to three (and, we can say, this new show). Both Diogo and Natalia would return to work with Carmen Dolores, at the theater and on television, and there was even a moment in 1998 when Diogo Infante directed the veteran actress then: "I've been invited by Mega Ferreira to put on a Tennessee Williams show and I soon remembered Cristal Garden I was invited to Carmen and she answered me: Only if you do Tom.And it was not so bad. is like that In the studio room of Nacional.We contracted and me, who was "

With Diogo Infante in the room" Crystal Garden "(1998)

And we Let's get to 2017, when I was little, I was running Carmen. Carmen Dolores published the third of her memoirs, entitled Voices Within Me . As soon as he read it, Diogo Infante, who is also the artistic director of Trinidad, quickly realized that he could make a show of it. "I was taken by surprise, I think it was very kind of him, I could not say no," Carmen explains. It's also she who has remembered Natalia Luiza for doing "if."

Natália, who has devoted herself in recent years more to staging than to performance, has accepted the challenge. Back to the scene. It is also the first time that the roles are reversed and that Diogo Infante directs Natalia Luiza. "It's she who has shown me the most times, who knows me best, who else has been able to get me out of my comfort zone," says Diogo, while next to him, Natalia shakes her head as if to say that she does not deserve so much praise.


Carmen a tribute

Today, July 11, 2018, is important, the day Carmen, Diogo and Natalia show to the world the result of these years of encounters and d & # … 39 friendships and mutual admiration. At the Trindade Theater in Lisbon, the same theater where she debuted
Amor de Perdição the first film of the actress
in 1943, and where two years later she would also debut on stage – premieres Carmen a co-production between the Trindade Theater, the Southern Theater and the Almada Festival. The Minister of Culture, Luís Filipe Castro Mendes, will attend the performance, as well as many other friends and colleagues, after which there will be a tribute to the actress – the main hall is named Carmen Dolores and will open an exhibition in various spaces of the theater

In the audience will be Carmen Dolores. The actress followed closely the process of creating the show and talked a lot with Diogo and Natalia, but did not want to see repetition. "I can not imagine what it will be like to see someone doing this to me," he says. "It's a strange thing, I do not know how I'm going to feel it."

The director explains: "Carmen played a very important role, reads, gives suggestions, always makes life easier …: think that Natalia could not know me, as if she were saying: Let me go, forget me , and it was valuable because, of course, we could not do a composition of Carmen, it's not what we want it's to find here a alter ego of Carmen, a summation of all the Carmens, a character from but who captures the essence of it.We make a caricature. "

For Natalia Luiza, it was always clear that it was n & rsquo; It was neither possible nor desirable to make a "mimicry": "One thing is the ability that one may have to apprehend a way to be, a personality that does or that is not. she walks in a certain direction, which she describes herself.isa is mimicry, which would be far from what he is and he would be arrogant and unintellig from us to do so. What is meant is to honor, respect a text, a memory, a life course that is dear to us as well as current theater makers. "

Natália Luiza in" Carmen "

[19459009CarmenDoloresaterministeredbackto2005with Michael Frayn's play Copenhagen at the Open Theater: "I stopped when I had to live all the time"

I wanted, when I thought I should stop and want time for me. I think I stopped at the right moment. I stayed in my corner, writing my stuff, as I like. In the silence. "

Since then, he has published three books of memoirs and a book on the Modern Theater of Lisbon (with Titus Live). He is currently writing with Vítor Pavão dos Santos another book on Comedians" I have always written since I was a kid, it was my way of letting him go, "he says." I remember one thing and write, I have a lot from papers written there, manuscripts, with those thick green pens, and then, at one point, he realized that what he was writing could also be important to others. "J & # 39; realized that there is little about the old actors, about how things were, it costs me to be forgotten.These are people who, at some point, knew who they were were, but they were not doing movies or television and left nothing in writing, they do not remember. "

This has been his task. Fix the memories. I have enjoyed having lived all the time, some easier, more difficult. I have had the chance to live several very different periods, one before April 25, the other after April 25, the day before. I have a lot of childhood memories. And that makes me happy. I think that private memories are not so interesting to others. I am more interested in looking at others and remembering them with a tender look, even today perhaps more tender than at that time. I came from a very different and very closed environment, everything was a surprise to me. And the writing also serves to stop, to remember certain moments that, at the time, did not perceive well, was still not well inserted in the class. I love to remember and this is never nostalgic. Said Carmen Diogo Infante, "she is generous and frank and speaks with clarity and sensitivity on sensitive topics, she talks about life and death with an almost touching simplicity."

. There is a good sense of humor. This is a woman who has a great awareness of herself. "Natalia Luiza confirms:" Sometimes, with age, people are bitter, but this is not the case of Carmen, who is a solar person and who led the way. converse. "

In recent years, Carmen Dolores has also stopped going to the theater as much as she likes:" I'm fine, but I'm no longer new, "she said smiling, justifying herself. to be very nervous indeed. "Before he came on the scene was horrible. I have always been very worried. It was a pain. "And tonight, even sitting in the audience, it's she who will be on stage."


Carmen

Diogo Infante, of Voice in me by Carmen Dolores
Directed by Diogo Infante
Interpretation of Natália Luiza
Trindade Theater, Lisbon
From July 11 to 29
Tickets: from 8 to 14 euros

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