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One thinks of a sphinx of coldness, and Isabelle Huppert appears as a breaker. The French actress is the queen of ice and all its nuances. At the Grand Hotel de la Opera we greet each other with a different kind of freshness. In its palette of cool emotions, we have fun in the ostentation of this "branding". "What film are we going to talk about?" He asks, a little mixed. A confusion that makes sense in his case, especially since Bravo's retro Eva Benoît Jacquot, Marvin by Anne Fontaine, and this magnificent Madame Hyde by Serge Bozon. The best French actress is also the busiest, but the dialogue with Diário de Notícias is to give us a glimpse of the terrifying darkness of Happy End his return to Michael's room ] In Happy End essay on the scenes of a bourgeois family in dissolution in Calais, Haneke, the filmmaker who gave him cartoons in 19459006 and 19459006 Love Huppert, With the refugees at her side, she embodies a middle-class woman who tries to keep up appearances while suffering from a slow and ruthless inner loneliness. She has an English boyfriend who does not cause butterflies in her stomach, communication problems with her son and, worst of all, she does not know how to cope with her father's old age. And the amazing thing is that his performance always seems to be in precise rhyme with the icy tone of Haneke's achievement.
Is she an actress capable of anything? Have you ever thought about your limits? "I always think that I can not play certain roles in movies whose arguments are bad Every week I get terrible proposals … It's not easy to accept a role – there are so many of factors and constraints, but I reached a plateau I still think that I am able to do things, I do not think I can not do it, the question is whether I l & # 39; 39, whether or not, with me it's done, and that's all, that's a lot with the pleasure of the moment.It's very difficult, it would only be where he had a bit of moral embarrassment, "he answers in a practical way, noting that in the case of Happy End it is always nice to return to a plateau with Haneke: I'm still attracted to him. I always accept his invitations. It's a movie that I like a lot, a very smart movie, even though I know it's not going to please to everyone.In fact, Michael does not like to please everyone.It makes cinema to attract people, not necessarily and I do not want you to like them, your movies are not really works of art. entertainment and I realize it. One thing is certain: Happy End will shake the viewer: "Shake and upset, let's say."
About the unanimity around the filmmakers, Isabel Huppert is categorical: "Of course the goal of a filmmaker is that your film is seen by as many people as possible.This n & rsquo; Is that after that there can be such a luxury to create a discussion and the movie creating divisions.But very few filmmakers have this luxury … "
Huppert tells us also that he is frankly surprised and happy that many are watching Happy End as a comedy. A dark and heavy comedy, the Oscar-nominated actress believes that in France few have been able to find humor in these images of human misery, especially since the meaning of the French humor is different: nothing, comedy, drama or tragedy, nothing for her Isabelle Huppert is always different in a tone that is always the same. Contradiction or not, it's one of her secrets: Laugh or smile ( with her it's hard to discover), she tells us "I always put a little of my humor in every Madame Hyde who is soon available on the virtual circuit of video clubs and digital platforms, and we try to see if she can laugh at your own us gags physicists in a movie in which she plays a high school teacher who gains electrical powers. "Sometimes in this movie, I was able to laugh with what I've done, but only sometimes … There are scenes with bea A lot of jokes! "
In farewells there is a confession. The words uttered with acting were elaborated: "I never speak to Michael Haneke about the meaning of his films, God forbid! He would not stand it and I would be immediately expelled from filming place.But Happy End speaks of many things, especially how we can all disagree with each other and the secrets we carry with us.There are layers of very interesting mystery in this film, subject of death. "
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