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. At 88, Jean-Louis Trintignant returns to participate in a film by Michael Haneke, after the fabulous performance of "Love & # 39; (2012). He is close to Fantine Harduin, who is only 13 years old. As for Isabelle Huppert, it is already his fifth film with the Austrian director
We have already learned that Michael Haneke can not be trusted or be carried away by appearances. With mastery, the Austrian director seduces us into the daily false banality, and then makes us vulnerable to its minutiae, as vulgar and promiscuous as internal. Thus, in 1917, his first film, and with a subtlety that was a devastating success, Happy End, which now happens in Portuguese theaters
The action takes place in Calais, a port of passage to the United Kingdom, in a concentration of refugees, housed in a recently extinct camp, known as the "jungle", given their difficult conditions. However, Haneke did not go in search of Maghreb refugees or the Middle East. He is rather interested in the portrait of a local bourgeoisie who, despite the luxurious ceiling, finds no refuge for the soul.
So there is something extremely perverse in what is apparently only the portrait. from a structurally dysfunctional family. Haneke goes deep into the characters, looking for the immeasurable traits of disaffection or despair. There is a decay that affects the network of family relationships and that stands out as Eve becomes a refugee in his own home (the house of his father and grandfather) after his mother went to the hospital. Eve, at age 15, hesitates between depression and manipulation in an impenetrable adolescence, which becomes particularly fascinating in her relationship with her grandfather, who culminates at the height of subversion and despair. However, in a different situation are the survivors, those who have not yet abandoned the construction of reality, and especially the Uncle Peter, a kind of village fool who tells the truth and who suffers the same. consequences.
Happy End is not a larger work of Haneke, comparable to Amo r or The White Ribbon but he is still a movie of a sinful sensibility that confronts us with the psychological courage of humanity, with a disarming elegance.
Excellent interpretation of Jean-Louis Trintignant and the young Fantine Harduin. The demanding role of Franz Rogowski and the discreet but effective roles of Isabelle Huppert and Mathieu Kassovitz
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Happy End > By Michael Haneke, with Jean-Louis Trintignant , Fantine Harduin, Franz Rogowski, Isabelle Huppert and Mathieu Kassovitz> 107 minutes
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