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It was a rock concert, but it was at the sound of the famous theme of the movie "Serenade to the Rain" that began. The audience, eagerly waiting for the stone age queen, who said not to appear, started singing "Singing in the Rain" in unison, but was suddenly interrupted by an epic song (the main theme of another movie ") And a set of lights to make you jealous One by one, the band members appeared and occupied their seats on the main stage of NOS Alive.A big rock concert was waited, pure and hard, and that's exactly what the Americans have offered Nothing more, nothing less.
The band started with "Feet Do not Fail Me Know", theme of the last album, that the Stone Age queen had not yet had the opportunity to present in Portugal (they have not trod the Portuguese soil since 2014) .Released in 2017, Villains occupies a small part of the line-up, where the biggest hits and songs of the group give a dance floor. "Danson s! ", asked the singer before" The way you usually do ", the second theme of the night, also taken from Villains . Josh Man did this way to his hips, impossible to not remember who they called the rock king "n" roll. He slipped the guitar, ran his hand through his hair, jumped and kicked the light bars that filled the stage. There, between the smoke and the flashing lights, he was a giant and it was impossible to take his eyes off him.
The presence of the agglutinating scene of singer and guitarist is almost unfair – all members of the Queen of Stone deserve to be rewarded. They know what they are doing, and it is well noted: the show was well assembled, using different light effects that helped create the right atmosphere – electric – on stage. No big scenes – after all, what matters is the music itself. And it's already known, it's good. "JJ, turn on the lights!" Asked the singer after "Song for the Deaf". Josh Homme wanted to see the audience, hundreds and hundreds of people in front of and who filled the Passeig Marítimo de Algés. "Are they with me?" He asked. "Are they with me?"
The last part of the concert was devoted to the most famous songs, like "No One Knows", which was entitled to a solo drummer Jon Philip Theodor. "Make It Wit Chu", " Little Sister ", and" Go With The Flow ", were actually in the concert finale." I hope you had the best time of your life. We are the queen of the stone age and we love you, "said Man saying goodbye, before asking them to turn on the lights" one more time. "" A Song for the Dead "from the 2000 album Songs for the Deaf closed the show and let the fans yearn for a quick return of the Americans. Hope they're n & # 39; They did not have to spend another four years.
The Stone Age Queen was one of the strong names of this Friday's show at NOS Alive, along with The National. Who was the title? It's debatable, not least because no one has disappointed – everyone has conquered, in his own way, the attention and heart of the fans. In the end, everything is a question of taste
After the Icelandic kaleo, the first to go on the main stage this second day of the NOS Alive, and the Canadian Japandroids, who almost destroyed the rock 'n roll championship was the queen of stone age. the secondary stage (what do you need more than two instruments for, anyway?), came at the turn of the Black Rebel Motorcycle Club (BRMC). After five years without any liberation, the Americans published earlier this year Wrong Creatures which served as a pretext for the Friday concert in Algés. For this reason, the program featured a mix of new songs such as "Question of Faith" (starring Peter Hayes) with older titles such as "Beat the Devil's Tattoo" or "Six Barrel Shotgun". [19659002] In January, at the time of the release of the new album, Pitchfork described Wrong Creatures as "more of the same, but at least more in the same way in a convincing manner". It was more or less what we had to conclude at the Friday concert. If the BRMC did not announce new themes as new themes, it would be difficult to distinguish them from the old ones. And the truth is that it was the oldest of them that had the biggest reaction to the public – "All that happened to my Rock'n'roll" from the first album BRMC which made them famous 18 years ago two years after its formation, in 1998. Despite an exemplary performance, the rest hardly bothered to warm up. The group was hit hard by the time they played (18h), but there is another problem: when the BRMC plays live, it seems that there is always something missing to raise them to another level.
With the Blossoms very different. The English group was confirmed at the last minute after the cancellation of The Kooks, which they had to play after the Black Rebel Motorcycle Club on the main stage. In a statement, the group explained that singer Luke Pritchard had bronchitis and was forced by medical orders to cancel the Friday concert at NOS Alive. "The group apologizes and hopes to be able to return to Portugal as soon as possible," said Kooks. Flowers were the solution found to fill the schedule, which many people preferred to use as dinner, before The National. Overall, there was little enthusiasm about the stockport group 's fun indie pop, which went through the secondary stage of NOS Alive last year.
Like the BRMCs, the British also released a new album this year Cool Like You a natural sequel to the previous one – the namesake Blossoms who got an appointment for the Mercury Award in 2017. But there were few who seemed to know the new themes (or even any theme). In fact, despite a constant success abroad since its formation, in 2013, among the Portuguese, the group remains essentially unknown.
Rock 'n roll to the old: was what we heard at the end of this Friday afternoon at the Sagres do NOS Alive scene. The Eels, a group led by the charismatic Mr. E (Mark Oliver Everett), are not modern fans. With his 90s clothes (a hat trick, a hat on his head denouncing the American origin), Mr. E, 55, started the concert with Prince ("Raspberry Beret") and continued with rock and folk-rock dyes boogie electric blues.
The lineup has gone through three decades of the musician's career, putting the emphasis on "Dog Face Boy", precisely the theme on which Mr. E sang and played maracas. It was one of the most energetic of the concert. "It was fun like lightning, for a man of my age … You do not want to see us die here, but the best thing is to keep the cameras working, because you will not want to miss this moment, "joked the singer
. , track of the disc Hombre Lobo (of 2009), slows the tempo, introducing a little calm. The new album "You Are Shining Light" from the album released this year, The Deconstruction was good news, adding value to the repertoire of the group that played for the last time in Portugal there Eight years ago.
The performance of the Eels was good, just a few holes above the group that followed on the Sagres stage, the Yo La Tengo, which, despite a bulletproof repertoire, was among the best indie -rock of the world. The years 1990 and 2000, still very active and having released a new album this year, happened at the wrong festival for their music so difficult to challenge the pop-rock canon. At one point, they embarked on an instrumental journey that lasted more than ten minutes. The indies passionate about guitars came out convinced, but most seemed to find that strange.
Ivete Sangalo, James, XXX and The National. There are some bands that could almost already have a Portuguese passport, so many times they have occurred in Portuguese territory. Future Island, for example, does not quite fit that group yet, but they are certainly already waiting for the SEF. He almost lost count of the number of times Sam Herring and company came here to spread their magic in the form of pop dancing. Between the modest (but incredible) concert they gave in a lotus Musicbox (the first absolute) and the Sagres Stage where this Friday acted, was a devotional trail of the national audience, which never been indifferent to the contagious garland that are the American group. This time it was not different.
The jumps, jumps and a lot of sweating – the usual – guided the lively concert that they gave to the Algés festivals. Or at least those who managed to get into the kind of tent that surrounds the stage. Previous years of Alive have taught us that watching concerts here can be difficult, especially if the name of the stage is solid. This year, the organization still masked the openings of this show (in the name of acoustics, it is presumed) and this was not good news for those who are content to see the show sitting on the floor. "I would have liked to be there," shouted a young man to a group of friends who were dancing happily to the sound of "Dream of you and me". That's right, we also liked being in the middle. But ready. (19659016) Another immaculate performance, full of color and excitement (both on the stage and in the audience) was left in the retina, and the idea that Future Islands, live, did not never disappoints.
Another highlight of this second day of NOS Alive was the performance of Branko (João Barbosa). The DJ and Portuguese music producer, member of Buraka Som Sistema gone, has prepared some news. Armed with a mixer and a percussion box, Branko took the NOS Clubbing scene, which he headed that second day at 1:20. As usual, he presented the themes of the album Club Atlas and remixed others in concert.
The news came when Branko called singers like the Congolese (London resident) Miles From Kinshasha – to sing a song and sing the song "There," which he composed with Branko – and the Brazilian Rincon Sapiência and Cape Verdien (resident in Portugal) Dino D & # 39; Santiago, who presented "Nova Lisboa", theme had already been made known by the duo in the final of the Festival The Eurovision Song Contest , at Arena Altice, who helped Branko make everyone dance on the electronic music scene tonight.
Branko's performance was halfway through when the Two Door Cinema Club began its concert, which closed the festival's main stage. For over an hour, they presented their catchy pop, still open, which had already been heard at this festival two years ago. "What You Know," "Undercover Martyn," "Something Good Can Work," and other successes, have kept the audience awake late on the NOS stage. The group then goes to Clubbing, where the DJ Lag occurs.
Text by Rita Cipriano, Gonçalo Correia and Diogo Lopes, photography by João Porfírio and André Carrilho.
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