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The show "Só Zerlina or Così san tutte?", Which combines opera, rap and theater, which will bring together professional and amateur musicians and singers, will be on stage today and Friday,
Mathieu, who has rehearsed with other young detainees on the scene where he made his debut in 2016 Wednesday afternoon, is one of the four "rap" soloists of the show. For him, rhymes with beat started out of prison. Tiago Silva, 23, another rap soloist, also rhymed "there," where life was "singing, football, and school".
"only" it was not as valuable as today. "
For "Only Zerlina or Così san tutte?", Both had to learn Italian – "sing in operas" – and put the voice among "several things."
Among other things, Mathieu, Tiago and the rest of the prisoners who will be on stage had to "know the instruments, familiarize [-se] with the sounds, the theater of work, the speeches".
This is because this opera "is not normal". "There are parts where, instead of doing the so-called recitatives, we do the same theater and that's what makes the difference in the performance."
First published by the Musical Artistic Society of (SAMP) in 2003, the project "Opera in Prison" worked for three years. In 2014, he returned with the support of the Calouste Gulbenkian Foundation, part of the Partis program, which aims at social integration through artistic practices.
Each edition – it's the third – lasts three years.
we learn what is classical music, we bring instruments and teachers, and we know what are "afrobeat", "trap", "rap" and these scenes, "says the artistic director from SAMP, Paulo Lameiro, away
A year later, the SAMP team challenges: "Let's set up an opera". "In the prison, we repeated with them, in Italian, they decorate a whole score, and outside we work with the mothers." 19459017. In the end we join this week very intensely and we present a show.
Paulo Lameiro points out however that the show "is not the most important". "[É] The most important thing for you and for those who see, but what is important in this is that we are all stimulating ourselves," he said
In this issue of "Opera in Prison" the scene with the musicians of the Gulbenkian Orchestra, with five professional singers, with the prison officials, where they are detained, and with family and friends.
The previous opera had the participation of "60 inmates and 20 relatives". with 40 prisoners and 70 family members, mothers, girlfriends, neighbors, mayors, businessmen, who, when they receive these people, can not only receive a quota – "Let me employ half a dozen detainees"
"If you do that, you neglect extraordinary potential, these young people are very creative, very resilient, resilient to extraordinary suffering, have a life that taught them extraordinary skills. "
Regarding the impact that participation in the project can have on the outside world, Mathieu is careful" If you want to help me there or not … we'll see if something introduces himself. "" I would like that, it could even be in the singing area. had an impact on Mathieu, especially "in terms of growth". "I think more about things before me, I'm more organized, more responsible, towards others and with myself, it has helped me a lot in this way."
Also, James "would like to work in any area of the opera, in any area." "I love him more and more," he said. he said, adding that he did not know if what he had learned from the project could interfere with life "there", even if he wanted it. to change us more than for them [os 19 jovens reclusos do Estabelecimento Prisional de Leiria] "Diogo, a former participant of" The Opera in the Prison "
says at some point of the public.
Sentence corroborated by Paulo Lameiro." This project taught us that if we really want to help these young people, it's not in their transformation, contrary to what it seems, we need to change a lot more because what motivated them to be stopped would motivate everyone to Between us to be imprisoned. also, "he said.
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