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The proposal of the Production Force was the highest ranked of the three proposals for the management of the Teatro Maria Matos arrived at EGEAC, according to a note from the company that manages several cultural facilities in Lisbon.
"It's a great honor and a great responsibility," says producer Sandra Faria, on the phone with DN.
The other theater management nominees were, in order of ranking , producers Yellow Star and Half Term
At this time a period of five working days for complaints. "We do not privatize anything" Only after Sandra Faria agreed to talk about the artistic project and management that she delivered to EGEAC, the municipal company owner of the Maria Matos Theater. Earlier this year, after the departure of programmer Mark Deputter for Culturgest, the City Councilor for Culture Lisbon announced that the artistic project of the Maria Matos Theater would be entrusted to the private management, causing an outcry of criticism of this decision. "We are not privatizing anything, we are diversifying management models," Catarina Vaz Pinto told DN. The objective was, from the outset, for a private entity to create more mainstream programming for the general public.
A petition for the public management of space has even been launched. Among the signatories was Mark Deputter himself, as well as choreographers such as Bruno Cochat, Miguel Pereira, Ana Galante, Ainhoa Vidal and Vera Mantero; Ricardo Neves Neves, Gonçalo Waddington, Paula Sá Nogueira and Patrícia Portela; and the musicians Bruno Pernadas, Francisca Cortesão and Tó Trips
The Life of a Theater
The Maria Matos Municipal Theater was named after the actress who founded the theater. company with his name and was built between 1963 and 1969, from a rare project of the architect Barros da Fonseca. The building has 15 floors and includes a hotel and a cinema, the former king. His first artistic director was Igrejas Caeiro
He was acquired in 1982 by the autarchy, hosting independent projects. In 2003, he joined EGEAC and, through his leadership, Miguel Abreu, between 1999 and 2004, and Diogo Infante. Mark Deputter had been at the helm of the theater since 2008. "The programming was very different and always reflected who is ahead of the space," says Sandra Faria
Productive force, a producer looking from one room
Born in 2015, the Production Force has already made about 1500 presentations by the country, including islands. From his list of shows are 40 and Then? with Fernanda Serrano, Maria Henrique and Ana Brito e Cunha, a sequel to Confessions of Women of 30 The worst comedy of the world is the next show The worst comedy of world The worst comedy of the world is the next show. He will be performing at the Teatro da Trindade, starting on September 12, for four months. "It's a co-production with Teatro da Trindade." It's going to be on the scene for four months. And in Villaret will be a new play with Fernanda Serrano, Ana Brito and Cunha and Pedro Lima, Neighbors of Cima.
"In the short life of the Production Force, we have always jumped," says Sandra Faria, about willingness to settle in a theater. "The theaters are missing, there are no rooms in Lisbon, it was important to have one with all the conditions." Maria Matos, with a capacity of about 500 spectators, suffered works at the beginning of the 21st century.
"But whoever thinks it's easy, that's not it.", Says the producer, comparing with the room, also from EGEAC, with the program Sounds in Transit . "In this case, EGEAC pays for the operation, which is not the case at Maria Matos."
This is also an answer to those who were surprised by the rental value of the theater, 3 thousand euros a month.
Three theaters with new artistic directions
EGEAC made several changes in theater management, including the redistribution of theater.
Part of the team is now at LU.CA, the Teatro Luís de Camões, with a program entirely dedicated to children and young people, namely Susana Menezes (who already had the "portfolio" of programming for the youngest of Maria Matos). It officially opened on June 1st.
Also in the changes is the Teatro do Bairro Alto, former headquarters of the Cornucopia Theater. It is expected to host experimental and experimental projects
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