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The representative exhibition of Yugoslav architecture from 1948 to 1980, which includes more than 400 drawings, models, photographs and film extracts from the city archives,
Exhibition " D & D After Concrete Utopia: Architecture in Yugoslavia, 1948-1980 "( Towards a Concrete Utopia: Architecture in Yugoslavia, 1948-1980 ) is open from July 15th to January 13th of next year and the first is the presentation of outstanding works by the leading architects of socialist Yugoslavia to the American and international public.
The American public will have the opportunity to get acquainted with the works of the Yugoslav architects, and it is interesting that the tickets for this exhibition be sold at the symbolic till – in a red kiosk, where the famous verses and triangles "yogurt .
picture: MONDO / Marko Cavic
" The architecture was born at that time – scratches- sky built in the style of international practice to social brutality the capacitors "manifested the radical diversity, hybridity and idealism that characterized the Yugoslav state itself ," said the MoMA in the announcement of the exhibition
Stefan Stojanovic
The exhibition includes the works of the most important Yugoslav architects, Including Bogda n Bogdanovic (1922-2010), Juraj Nidhart (1901-1979), (1907-1993), Vjenceslav Rihter (1917-2002) and Milica Steric (1914) -1998).
From the sculptural interior of the White Mosque in rural Bosnia to the reconstruction of Skopje after the earthquake (1963), designed by the Japanese architect Kenzo Tange in New Belgrade with large expressive buildings and public buildings, the exhibition explores the diversity of forms and forms of Yugoslav production. "Positioned between the capitalist West and the East Socialist, Yugoslavia, recalling the MoMA, has avoided the division of the Cold War by choosing the" third way "as one of the main countries of the Movement non-aligned, founded in 1961. and it did not officially belong to any bloc, "they say on MOMA.
At the same time, the Yugoslav government began to accelerate the modernization and construction, with the aim of economic development, improvement of the daily life of citizens and the affirmation of the diversity of cultures in the region. The country has extended its efforts beyond borders, improving urban planning and construction in developing countries, particularly the non-aligned countries of Africa and the Middle East.
Yugoslav architects responded to conflicting demands and influences by developing a post-war architecture that was also at stake, but differing from the approach that could be seen in the literature. the rest of Europe and beyond
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