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– Nedeljko Gvozdenovic is a man of unique character and spirit, with a unique spiritual spirit, a relationship with nature, Nedeljko Gvozdenovic. This is how Vladan Vukosavljevic evaluated the image of a great artist in front of the gallery. SANU, where an exhibition of paintings "Nedeljko Gvozdenović: In Search of Absolute Painting" was organized. To remind him more specifically about the creativity of Gvozdenovic, the minister quoted this great painter: "It is better to be humble in front of nature, to experiment with the eyes, then with the artistic means, the composition, the color, the form, the stronger expression ". Vukosavljevic was not unaware that Gvozdenovic was devoting extraordinary treasures to subsequent generations after him as a sign of gratitude
– By singing the hymns of rudeness and banality, when the devastating spirit of time devours the quality that generations have created, harmony and beauty Gvozdenovic's paintings are seen, heard and feel stronger. Are we today, as a nation and a state, the kind of humus from which people and artists come, such as Nedeljko Gvozdenovic? The president of the Serbian Academy of Sciences and Arts, Vladimir Kostić, said the exhibition was organized on the occasion of the half-century that followed the founding of the gallery and at the 39, initiative of Gvozdenovic
. May 1968, when the first exhibition "Artists of the Nineteenth Century – Academician" Lazar Trifunović was opened, up to now, according to the Kostic Academy, more than 250 articles are presented. He recalled that Gvozdenovic had been chosen as editor-in-chief of the SANU Gallery, and that Ivan Tabakovic was responsible for the graphic design of the monographs and exhibition catalogs
The author of the exhibition and monographic publications is Dr. Dijana Metlic. She pointed out that the work of one of the most important Serbian and Yugoslav artists, which developed between the mid-1920s and the end of the nineteenth century, confirms Gvozdenović's consistency with painting, without abandon the uncertainties and imperatives of the moment.
Metlić explained that Gvozdenović was looking for a perfect and absolute painting, which he compared to superlative exterior paintings.
– His calm and secure writing that reveals a long "imagination" about the image can indeed start from the impulse of nature, but far from any impulse, recalls the author, recalling Gvozdenovic's words: "I was asking for absolute painting, absolute music to which the proportion of elements or extra-elementary values will be reduced to a minimum. I'm not sure if this can be achieved, to reach absolute purity. "Keeping this in mind, the author points out that the selected works at the exhibition have tried to prove that Gvozdenović has managed his trip.The visitors will be able to see the setting for next month. 39th exhibition is enriched with hundreds of works by Gvozdenovic, in various techniques, which are part of the artistic collection of the Serbian Academy of Sciences and Arts, but also the painting of the legacy of Belgrade in the conservation of SASA
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