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(Editor's note: During several dusty and mild afternoons in Mumbai, two filmmakers and Netflix India recreated a world that the city knew in the '80s and' 90s: crowds, drugs, shootings and rampant crimes As part of the upcoming Sacred Games series, aired on Netflix on July 6, during tea breaks and amidst covers, Firstpost met with actors and the show team for a series of five-part conversations with Nawazuddin Siddiqui Radhika Apte, Anurag Kashyap, Vikramaditya Motwane and Saif Ali Khan In Part 5, Radhika Apte talks about what she learned while preparing to play a RAW agent.) [19659002] "You can not wear anything that makes noise, you can not wear anything at all, you can not wear anything that would attract the Beware of someone, you must be so discreet that no one will not recognize you. "An animated Radhika Apte tells us how a RAW agent should work, and she looks like she's wearing a green kurta and no visible makeup – any look that would allow her to go unnoticed in a crowd if she was not a well known actress She plays Anjali Mathur, an agent who had an office job but who adventure now on the ground
She says she was interested in Sacred Games when it was given a narration, well before the final scripts.for the eight episodes could be finished. "The fact that it was the first Indian original of Netflix was Exciting for me, just like the fact that Vikramaditya Motwane was directing the plot of my character, I had never worked with him before, when I read the script, I really liked ", she says.
Radhika Apte in an image of Sacred Games. All images are courtesy of Netflix
The apt character does not find much room in the book of Vikram Chandra on which the series is based, but is quite fleshed out in the script. "I did not read the book, I thought it was better to approach the character with a new perspective, because what is in the book does not really resonate with the character in the script, the writers have really written it independently. " she says. To get ready, she spent time talking to director Motwane about how they perceive the character, and how they should put their ideas together. "I also sat down with the editors, and she gave me general information about the training of other RAW agents, their physical appearance, their body language, how and why they behaved as they did. do, how are their lives in general, "she says. But she has no big "process". "You just need to do your homework and concentrate, to know what your dialogues are and how the scene will unfold," she says.
This research gave him insight into the life of an agent. "RAW agents must be so discreet that no one should even notice that they have come and gone," she says, adding that most people's impressions of what these agents are doing are far from reality. . "They know how to use each weapon, but they are not allowed to be armed, they can be any ordinary person, sometimes they change their appearance, in their privacy and in the field, they are very people The way they behave differs greatly depending on the situation, "she explains.The actress is clearly fascinated by their craft but warns that she is far from happy, because it may involve isolation. "It seems to be a life of isolation, you are prepared for isolation because you could get caught."
She laments the fact that their work is largely uncredited, because they are always "behind the scenes." "When a policeman dies on a mission, he receives a funeral and a salute, but when a RAW officer dies, they do not even say it, there has a reason for this: their work is so secretive, "she explains. Because of the high-risk nature of this work, women have, for many years, been deprived of opportunities to be field agents. "For a long time, women were not sent to the field, because of the danger of being captured, now there are more women taking part in the field work – and Anjali is such a woman . "
apt talks about the power that these female agents have, because of the Intel, they have access to. While local authorities can analyze a problem by keeping in mind only factors and local entities, RAW agents like Anjali can link with events happening around the world. "They are exposed to details that are strange, deep, and frankly, ugly," she says. This is described in the show, when she continues to try to link Ganesh Gaitonde's suicide to more important factors than gang wars.
Saif Ali Khan in Sartaj Singh and Radhika Apte as Anjali Mathur
Without a doubt, the training of such agents undergo and the things that They experience shaping who they are as people. To add to this, Anjali also has a past; his father was also an agent, and the viewer has the feeling that she is trying to prove that she is his daughter. That's the reason she decides to go beyond her office work, chasing down the tracks. Apte says that persistent anger in his character serves as a warning to people, about how they should not despise her. "She has a past that makes her who she is, she is a little unpleasant and rude … She does not make sense, she just does not have the time … She doesn? do not like people who ask silly questions, "she says. In the same breath, Apte says that his character is not a bad person. "I like her rudeness, if you know her, this trait is quite endearing, she is able to take the rudeness of others, she is also extremely passionate about her work. The shades on this side of the character are obvious when she considers visiting Sartaj Singh's house with a bottle of whiskey, as a mark of friendship or perhaps support. Apte says that Anjali is intuitive too; the viewer sees this in action when she gets Sartaj to investigate the death of Jojo Masceranhas and connects the points to find out who Malcom Murad is.
apt says that the change of medium of the movies on television did not prompt him to change approach, but this gave him a marked increase in freedom, in terms of what she can do as an actor. "When I was doing Phobia I had to be scared all the time, I could not say words like" sh * t "and" f ** k ", so I was wondering how I could react when I The only difference I noticed was that when I play in Sacred Games I feel completely free, I do not feel limited, I can improvise, I can say anything what comes to mind, I do not need to integrate my thoughts into any structure. "
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Read the first part of this series: Nawazuddin Siddiqui plays a gangster in Sacred Games and avoids the Bollywood heroic mold
Read the second part of this series: Anurag Kashyap on his work with Netflix and his "street creed" as a director of dark and intense films
Read the third part of this series: Saif Ali Khan on the role of a cop in trouble é, and why the series could work globally
Read the fourth part of this series: Vikramaditya Motwane on the adaptation of the book of Vikram Chandra, in collaboration with Netflix
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Date Published: Jul 12, 2018 12:30 pm
| Last Updated: Jul 12, 2018 12:31 pm
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Updated: Jul 12, 2018 12:31 pm
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