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REVIEW / CONCERT
IU "dlwlrma" TOUR 10th ANNIVERSARY
The Star Theater (December 15)
SINGAPORE – The South Korean pop singer IU is ready to enter a new phase of her career. At her first concert in Singapore on Saturday, Dec. 15, the 25-year-old said to her fans, "I think it's time to let the young and cute IU behind."
And his desire to grow as an artist was evident in his music and performance. The concert, intended to celebrate the 10th anniversary of IU – yes, 10th; The singer debuted at age 15 – was, as IU herself explains, a return on her musical career until now. And true to her word, she sang her songs, Cutey, previous hits such as Boo and Good Day.
But her passion went through a significant part of her concert, featuring songs that she herself wrote, such as Bbibbi and Palette, the latter being one of my favorite IU songs.
In one part of the concert, the singer, whose real name is Lee Ji-eun, explained how much she liked to write her own lyrics and that the performance of these songs gave her an advantage and a personality that her previous successes could not not transmit.
Another highlight of the concert was how intimate he felt. Of course, she brought elaborate sets and a whole team of backup performers, but many moments of the almost three-hour concert were devoted to her while she presented her clear and well-controlled voice .
And while she goes on power ballads and hits the three consecutive high notes of the series "I'm in my dream" in Good Day, her sweet spot is relaxed, her songs reduced with a mischievous vibe that puts his dream voice in the foreground and center.
Gloomy Clock is an example. It was a bittersweet moment, as she dedicated it to a person who was sorely missed – presumably the late singer Jonghyun of Shinee, author of the song.
During moments of interaction with the audience, she apologized repeatedly for coming to Singapore for a concert after 10 years of career and promised her fans to come back.
She also dedicated a song in Mandarin – Karen Mok's 1998 Love Ballad, which contains a touch of Hokkien – to Singapore fans, thanking them for singing her lyrics in Korean.
And she gave not one, but two booster performances.
After the first reminder, she left the scene and the credits rolled, but she came back.
Dressed in a black t-shirt, she lifted the ban on videography and photography and sang two more songs.
Although his concert would certainly have been without a better sound system – which sometimes upset my stand – and a sometimes blinding lighting, it was a concert with a clear message.
It showed an artist who had gone from a teenager who sang moss candies to a confident young woman who was fed up with enemies, who controlled her life and, most importantly, who had learned to accept and love each other. .
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