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(CNN) – Netflix followed in HBO's footsteps by investing heavily in stand-up comedy. And as a sign of a big tent that this discipline represents, it would be hard to find a more striking philosophical cleavage than Jerry Seinfeld – who is back with his motley series "Comedian in Cars Getting Coffee" – and Hannah Gadsby, whose the scathing One-woman show questions the nature of the stand-up.
In an intriguing juxtaposition, Seinfeld and Gadsby quoted Bill Cosby at the top of their list of inspirations. But while Seinfeld publicly fought to admire Cosby's early work with his sexual assault conviction – asking Stephen Colbert (before the verdict) last September, "should comedy work be held apart from crime? " – Gadsby forcefully rejects the cleavage of the artist's art in his special, "Hannah Gadsby: Nanette," echoing a host of controversial characters that she crushes forever.
Seinfeld, clearly, nurtures a penchant for the past of comedy, and enjoys kibitz freedom with fellow practitioners. In the latest series of episodes "Comedians", he hangs out with Jerry Lewis in an episode recorded before the death of thorny star last year, Dave Chappelle and Alec Baldwin, among others.
"Have you ever thought about your own relevance?" Me either, "Chappelle deadpans, which is a fairly accurate description of the underlying tone of all the exercise.
Originally from Crackle before Netflix came to a wider agreement with the star, "Comedians" looks forward to trivial, in the thought that throwing a pair of funny people together will produce ideas and laughter, without any direction required.
Gadsby, on the other hand, has more fish to fry, which could explain why "Nanette" – recorded at Sydney Opera House – has hit a nerve with many people.
Like Seinfeld, Gadsby talks a lot about the nature of stand-up comedy. But where he delights in form, she suggests that she might have to completely quit comedy, concluding that in a comedy, "There is no room for the best part of the comedy." story. "
Speaking Simply of the Pain She's Feeling As a lesbian, Gadsby rejects derogatory humor, discusses painful moments of victimization, and plainly tells her audience that she does not feel like it. Is not there to feel at ease or to defuse the tension inherent in his act
. what looks like rage, she points out that anger is never constructive, citing the need to share her story because of the difference that she would have made others hear when she was younger
Speaking of predatory men our stories, "Gadsby launches a plea to combat this by creating forums for new voices.
"Laughter is not our medicine," she says. "Stories hold our healing."
For his part, Seinfeld – among the greatest figures of the establishment that the landscape of comedy can claim – tends to embrace all that is funny, even if the manager comes with his luggage. This would explain her rumor about Cosby and her recent comments on Roseanne Barr, suggesting that ABC has probably overreacted by canceling her sitcom, before turning that into a joke by telling Entertainment Tonight: "Why would you kill someone?" One who commits suicide? "
Together, Seinfeld's series and Gadsby's special give windows in a conversation about what comedy is, and a debate about what it should be. Although this is not necessarily the effect sought by Netflix, it is a lucky coincidence to generate a serious blow for his dollars
"Comedians in Cars Getting Coffee" returns on July 6 on Netflix, and "Hannah Gadsby: Nanette" is playing.
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