The boss of 'The Passage' wins the final and turns to season 2 – Variety



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SPOIL ALERT: Do not read if you have not watched the final of the first season of "The Passage", which lasted two hours and aired on March 11th.

The finale of the season of "The Passage", adapted by Liz Heldens from Justin Cronin's trilogy of novels, paid off the promise made at the very beginning of the source material: He jumped forward to 2116 to see what it was like the world 100 years after the viruses broke away from the Noah project and ended the world.

"Jumping 100 years into the future and all the questions that arise is one of the best cliffhangers of my career," says Heldens Variety. "It seemed like a huge reset."

Heldens acknowledges that such a radical change also makes it possible to carry out a new piloting. But because the time has come at the end of the episode and lasted only one scene of Amy (Saniyya Sidney), barely aged at all thanks to the Noah project virus circulating through his veins, heading towards the colony, Heldens wanted to offer the public just a look at what could become if the show were to be renewed.

"For those who read the book and liked the book, which I consider myself, we wanted to show the wall of the colony," she says. "We really wanted to send that signal, but you'll also notice that it's in silhouette, you do not see too much detail, we really wanted to give us enough time to meet our production designer and make sure that wall looks like the one we wanted for season 2. "

More important than the world Amy had inherited, Heldens wanted to focus on the girl's identity in 2116.

"I remember the little girl at the fair and then … to see her with these braids and she looks so fierce and brave that it's what gives me chills when I watch the last episode . She's completely a warrior now, "says Heldens.

Fox aired the last two episodes of the first season of "The Passage", titled "Stay in the Light" and the apt "Last Lesson", one after the other. , the 11th of March. Heldens then tells that she and her writers at the beginning of the season, they had the impression that they would operate "probably" that way, but they did not allow themselves to presume that the plans they had elaborated would prove to be definitive. However, she was happy to see the plan they developed stuck because "they really have a good one-two shot".

While the first of these two episodes focused on characters such as Brad Wolgast (Mark-Paul Gosselaar), Lila (Emmanuelle Chriqui) and Amy escaped from Project Noah, virals also escaped their box to take control of the world, The final season has advanced the story of two distinct but extremely significant ways.

The 100-year jump was the most important, but first of all, the series took much less time as key figures watched 11 major regions in the United States and each of these supernatural beings was sentenced to become viral and immoral. went home and started to feed.

"We were following the epidemic globally, especially [Lacey and Lear] because they join the World Health Center, they see how the world responds to the crisis, "said Heldens. "When we are with Richards, we are at the local level. He is in Las Vegas with Babcock. … and of course with Wolgast and Amy.

Heldens admits that she did not expect to follow so many characters during this period, as she still considers that Wolgast and Amy are the "beating heart" of the story and that the time spent in the book after escaping the project Noah was "a lot The favorite section of people in the book. Heldens describes the scenes in which Wolgast prepares Amy for the days when he will not be there for her "one of the most beautiful works we have done all year".

One of these scenes includes Amy's braided hair by Wolgast who finally confesses the full scope of her new abilities. "When you're a parent, you just want your kids to tell you things and when your child comes to you with something important like that, it's really important not to panic and cheer gently the conversation, "says Heldens, noting that a large part of this first season was for her a parenting role. Gosselaar and she explained how, in these times of confession, there may be less pressure on the person who is confessing if she does not have to look at the person she is talking to.

"I knew I wanted a scene in which they were looking in one direction, and then I figured he obviously had to braid his hair," she says. It was the last really intimate conversation that they would have had for 100 years, so we wanted it to be really great. "

Heldens wanted to separate Wolgast and Amy before the end of the episode. Reflecting on what would make her run away from the person who was her protector and parental figure, she decided that Amy had to indulge in her viral life. desires and empty those who threatened the life of Wolgast.

"What's going on so badly that she can not cope with it anymore?" That's how we approached the creation of her dilemma in the end and why she ran away, "says Heldens.

After one of the men in the cabin was bitten, Wolgast went out to kill him, but managed to get bitten. The action took place off the screen because Heldens felt that "what you do not see is more frightening". The other villagers had planned to kill him before he could turn completely, but Amy could not let him go. Similarly, here, the action was mainly off camera, but a moment where Amy's eyes began to shine.

"The idea is that she only gave in when the person she loves the most in the world was threatened," says Heldens. "We are on Amy's face when he is attacked and you hear that roar, and we are on her face when she attacks." In Season 2, we play, she has one foot in a world and one foot in another, and she's basically the product of her mother and her relationship with Wolgast, she's making her world better, but she's still going to fight. "

After Amy pulled out who she considered a threat to Wolgast, she injected her own blood and wrote her a letter explaining why she had done what she had done and why she had left. Heldens confirms that giving her blood will not give her the psychic abilities she has, it ties them more formally than before. That's also why Amy says she thinks she knows if Wolgast is dead even 100 years later.

While Wolgast is absent from Cronin's version of the story for a very long time, Heldens admits that she feels that "this show is Wolgast and Amy" and that she did not want to adapt her disappearance to the identical . "I just think people connect to TV by characters. That's how you live and you die in the series: because you like characters. So we always knew we wanted to find a way to bring him back, "she says.

Heldens also wrote ways for characters such as Clark Richards (Vincent Piazza) and Jonas Lear (Henry Ian Cusick) to survive. For Richards, she allowed him to be a "person" of Shauna Babcock (Brianne Howey) – linked to her by the blood after he allowed him to save him while he was dying outside the Noah Project . "They are linked; it's "Who's Afraid of Virginia Woolf," she says.

For Lear, "there was something really great about us: he started the episode by wanting to kill himself and ending the episode by giving himself a virus that could make him live forever," she says.

And even Lila is more likely to survive because she has the virus that worked on Nichole Sykes (Caroline Chikezie), which slows down her aging and makes her not one of the virals, but the only one. one of the "super-people".

However, Heldens points out that even though his team has been trying to "know who it would be wise to keep alive," the jump in 100 years comes after bombs are dropped. So, even if you are superhuman, it is useless. It does not mean you can survive the bombs, "she says. "We wanted it to be a big question about who will come back and who will not come back. Season 2 will talk a lot about people trying to find each other. "

Structurally, if the show sees a renewal, the second season can also be a little different from the first. Although Heldens has often used a flashback structure to provide additional insight into the motivations of the characters, she asserts that she is still "determined to use" the flashbacks if they serve the story, now as the action takes place in the colony, the type of tension is different.

"We are fighting for our lives now. now we have viral attacks on us; now, the colony is running out of battery, "she said about the conflict of season 2." There are very urgent issues related to the present tense, and I like it very much. " idea to really make a season more action-oriented in the present because having a ton of story to tell there. "

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