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Box office strategies helped shape the Oscar race, with a last-minute call from Universal that changed the fate of the film Peter Farrelly.
The Oscar-winning sages are carefully studying award consultants, the highly skilled campaign managers who orchestrate the award-winning film season from the fall festival circuit to the final envelope. However, there is also a ghost world that can make or break the chances of a film, a world in the offices of the distribution and marketing managers. To understand its power, consider winning the best picture for "Green Paper".
Green paper (Universal) Best Movie, Supporting Actor, Original Screenplay
Last year, at that time, "Green Paper" was not in the conversation with the Oscars. Universal had originally planned to broadcast Thanksgiving the $ 23 million drama for adults, with a larger release of more than 2,500 screens. The adjacent date of Thanksgiving would give him a chance to get an older audience, as was the case of 20th Century Fox the year before with "Murder in the Orient Express"; this title was worth over 100 million US dollars with little attention to have none). If the "Green Book" was almost gone by Christmas, Universal would still have a lot to do with Peter Jackson's "Deadly Motors" and Robert Zemeckis's "Welcome to Marwen".
And then: "Green Book" has launched screening tests that have been, as they say, through the roof. The premiere of the Toronto International Film Festival resulted in the awarding of the Academy's public choice to the Oscars. However, as November approached, Universal found that the tracking had failed to catch up with public opinion that, in his view, was dormant.
The studio directors (as well as the film partners Participant and Amblin) have therefore rethought. Instead of going away, they took a big risk and withdrew. The film debuted on November 16 in 25 theaters in just 17 cities. It was a bet. Rather than trying to capture the theaters and capitalize on interests that had not materialized so far, the studio would hold back and would allow public opinion to catch up . As word of mouth spread, the film would become theater.
The first results were not impressive. With an average theater average of $ 12,000, we rated the results as "wobbly", others calling them worse. Four theaters in New York and Los Angeles cost less than $ 25,000, a figure that places it below such films as "Wildlife," "Mid90s," "A Boy Erased," and "Colette."
At that time, it was too late to change course. The film was extended to around 1,000 theaters during the Thanksgiving holidays, for adequate but still unimpressive results.
Universal has seen things differently. Not only did he trust word of mouth, but he also saw these initial dates as detailed insights. The result was a Cinemascore A +, and proof that the bet could bear fruit. The film held its theaters, and its averages, at the heart of the box office in early December. The hope was to support the best theaters until Christmas and then bounce back with nominations in mid-January.
Here, Universal received the help of his silk handbag called "Mortal Engines". It's such a disaster that theaters have been able to find more space for "Green Book". as interest increases. In mid-January, along with his Golden Globe wins and Oscar nominations, he jumped to more than 2,000 theaters.
As a result, "Green Paper" was the only candidate for the best film to rank among the top 10 during the voting period. This testimony of public reaction was a critical counterbalance to the film's current criticism and gave increased credibility to the major successes of the Globes and the Producers Guild.
Without this risky distribution strategy, the "Green Paper" would not have kept up the momentum needed for competition. There was no resistance to the Oscars led by any leading nomination, as well as little handcraft recognition outside the key category of editing. Box-office success holds the film's place in the price conversation, even if it is derisory compared to the three best-film contestants who earned more than $ 200 million. That said: He found his greatest popularity among a very similar audience to members of the Academy.
Finally, while the studios are still complaining about the money Netflix has spent promoting "Roma", Universal did not have the courage to continue using the "Green Book" when its revenue did not seem to justify it. Now, with the value of the great Oscars, it's an investment that can pay off.
Clay Enos
A star is born (Warner Bros.) Best Song
The directorial debut of Bradley Cooper was featured as the lead candidate for the best film after his performances in Venice and Toronto. However, while he scored in the nominations (though director missing), he saw his main categories run out of steam. Some may say that it would have been better served with a later version, but its autumn date that took place after the festival launches was very well received: massive financial success and stimulating results for the career of all concerned. (Surprisingly, the movie was never # 1, although it was # 2 for four weeks.)
If Beale Street could speak and "Vice" (Annapurna) Secondary actress, "Beale Street"; Make-up and hairstyle, "Vice"
Credit Annapurna is the only company to have received first-class nominations for the December releases. Both titles were risky projects that required all the rewards to be rewarded.
Their release models have had modest success. "Beale Street" settled in mid-December on a platform that opened about half of Barry Jenkins' Moonlight. He added Christmas races and expanded the number of Oscar nominations.
"Beale" was born in the hope of becoming a bigger rewards player. He reported less than $ 15 million, less than the 2018 African-American publications such as "BlackKklansman," The Hate U Give "" and "Sorry to Bother You" Annapurna. , always useful to attract the best filmmakers.
"Vice" was a much bigger game. Like Peter Farrelly, Adam McKay was a comedy director who now directed award-winning films. It cost about $ 60 million and its political content has made the focus essential. Annapurna opted for a wide spread on Christmas Day, after the Screen Actors Guild and Golden Globe nominations. He managed to lead all Globe nominees, while entering two SAG names.
However, his $ 47 million Oscar, gross and craft category, is well below the needs of Annapurna. They wanted the best wins, including the best movie, but at least the best actor for Christian Bale. However, he never finished 6th at the box office, falling quickly after maximizing the totals of the holiday games.
Marvel / Disney / Kobal / REX / Shutterstock
Black Panther (Disney) Best Original Score, Production Design, Costume Design
"Black Panther" was the most important candidate in the Best Film category since "Avatar;" maybe even more impressive. He was the first nominee for 27 years (since the movie "The Silence of the Lambs", which won the Best Film Award, opened in February.
Disney and Marvel did a great job on the movie. Would a subsequent opening have meant more rewards? May be. Yet for a movie released so early, going that far is equally impressive.
Bohemian Rhapsody (20th Century Fox) Best Actor, Editing, Editing, Mixing
This one was the miracle: Fox went from producing Bryan Singer to four statuettes. With mediocre criticism and new allegations by Singer, the publication in early November suggested a quick elimination. However, the public had other ideas. They reacted to the retro sensation and opened it at $ 51 million. The winner of the best actor award, Rami Malek, also had the advantage of representing a well-known character, larger than life (a real asset for the Oscars). This helped the film win major nominations for SAG and Golden Globes, known for including less critically acclaimed titles in their choices.
The momentum continued to grow. The film is held during the holidays and then continued to play. While Malek and Basel have both won at the Globes. "Bohemian Rhapsody" won the popularity contest. Even with seven weeks of play before "Vice", "Rhapsody" has reported more nominations after an Oscar. This certainly helped the Oscars voters to feel more comfortable with their populist choice.
Yorgos Lanthimos
The favourite (Fox Searchlight) Best Actress
"The Favorite" has received 10 Oscar nominations, tied with "Roma". Although she won only one Oscar, the annoyance of Olivia Colman proved his prowess to the game.
Fox Searchlight positioned the film for a platform release the day after Thanksgiving. He reported $ 32 million, significantly less than the 2017 contenders "The Shape of Water" and "Three Billboards Outside Ebbing, Missouri". But for a film from the Yorgos Lanthimos period, it's still impressive. It's hard to see how Searchlight could have handled this better. He had a perfect launch of the festival in September, maintained his presence throughout the voting and will reap the benefits of his victory through a good home visit. To date, its international share exceeds national expenditures by more than $ 50 million and the probability of gaining more.
BlackKklansman (Focus) Best Adapted Screenplay
Focus Features has chosen a release date for August. The result was a gross domestic product of nearly $ 50 million, almost the same as the foreign exchange. This is an excellent result for a Spike Lee movie; Only "Inside Man" is bigger in this century and most of his films are struggling to reach $ 10 million.
With its premiere in Cannes, an exit before the September festivals made sense; Focus and Lee also chose this date to mark the first anniversary of the 2017 riots in Charlottesville. August was also a good date for other African-American films like "The Butler" and "Fruitvale Station", and the lack of competition allowed the film to reach a wide range of adult viewers. This allowed his excellent critics to stand out without the dominating pressure of rewards discussions, and he thrived with lower marketing fees.
Spike Lee won his first Oscar in competition, as well as his first leadership nomination and four other nominations for the film, including best film. It is not clear if the film won with a later release date, but the strategy gave Focus its most profitable film of the year with real gravity. Mission accomplished.
Andrew H. Walker / BEI / REX / Shutterstock
Roma (Netflix) WON Director, Cinematography, Foreign Language Film
We have written volumes on this subject and there is still much to be said, including a projection of how it could have worked with a traditional version. We estimate that this figure is around $ 4 million, despite the boycott of most theaters.
It is clear that streaming has played a role in his loss of the best film, but his three wins and overall presence in the awards is also a validation of his strategy. Few subtitled films were so close to winning – and he was the first to win the director's title.
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