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Jordan Peele breaks a record in recent days We filmed – and had a $ 70 million opening weekend, the highest for an original horror movie – and the get out the follow-up makes us think again. This is the kind of movie that will reward repeated viewing (for Easter eggs only), but at first glance, there is tons mesmerizing and mesmerizing scenes that took control of the GQ team and simply did not let go. Warning: if you have not seen We, turn around. There is a lot future spoilers.
Adelaide and Red's Dance
For me, the most iconic thing of We is not a scene, but a song. It was exactly there in the trailer: "I Got 5 On It" from Luniz plays on the stereo, then to be shaved and rebuilt as a horror hymn, its key beats and bass replaced by resounding horns and plucked strings. What a beautiful cathartic surprise then to hear the new interpretation of the song during the decisive confrontation between Red and Adelaide. The brawl between the two empty remnants of Tethered Prison, infested with rabbits, is a wonderfully choreographed ballet sequence, a dance assembled with glimpses of the moment that defined their connection as something unique and different: a Ballet recital and Haunted echo Adelaide was forced to perform underground while her doppelgänger was living her life. It's a third-act confrontation that's better than most successful action movies, which uses bodies instead of words to argue its argument one last time, in a way that you will never forget.Joshua Rivera, contributor
Josh / Tex by Tim Heidecker
I could talk about Lupita's performance in this movie for the rest of my life (and I will probably do it), but other people have already done this a lot better than me. What I'm talking about here is the amazing supporting role played by Tim Heidecker. The character of Heidecker, Josh, is just a completed a piece of shit, and a fusion of the horrible things you've lived around white guys. Tattoos of shit? Check. Ignore the woman's legitimate and well-founded concerns for her safety? Check. Listen to the Beach Boys too loud? Check check check !!! The character does not stop there either, because Tim's portrayal of his character Tethered by Tim is this weird, shocking psycho-murderer. also a piece of incorrigible shit. Reader, I would like to tell you that I am the kind of person who did not burst out laughing when Tex pulled the "too slow" lap of a dying Elisabeth Moss while that. she reached for her "husband's" face with her last breath. breathe. Unfortunately, I am not. Heidecker's longtime fan and his completely absurd characters, this one was a complete delight and one of the brightest points of a film already filled with stars.Gabe Conte, digital producer& # 39;
The warping of "I Got 5 on It"
To echo Josh: If you saw a trailer for We, you've heard Luniz's usual rap styles and 1995's single "I Got 5 On It," which Jordan Peele found a way to incorporate and distort to get a deeply twisted effect. It's scary in the caravan; it's terrifying in the movie itself, while the song slowly begins to slip its rhymes and his "da-dum-dum" into a chorus (literally) of another world. Peele's sleight of hand consists of transforming a celebratory anthem into nightmares. Good luck to sleep after hearing it.Brennan Carley, Assistant Editor
Adelaide and her apple
With enough distance, you could think of We is a horror movie that did not make a lot of shouting. Or how, as an allegory, it was not entirely clear. But in the fire of observation We, chances are you do not have think about these things. And it is thanks to the brilliance of the images and the iconography of the film (and, of course, of course, the breathtaking performances and the soundtrack of Killer, too). Jordan Peele has packed his second year efforts with so many references – to Hitchcock, Kubrick, Spielberg, or even Meir Zarchi – and so many kicks that you would not think it was his first and last attempt. My favorite scene of the movie is basically just my favorite picture. Peele follows a young Adelaide girl at a carnival in Santa Cruz as she walks away from her inattentive father. She moves possessed, as if she were doing a trick. And when she arrives at the beach, Peele catches her nonstop, close and centered. She's wearing an oversized "Thriller" t-shirt and is holding a red apple like a candy so big she could have her own orbit. The colors and contrasts of size (little girl, giant apple) are perfect, and the picture speaks volumes. The temptation will take this girl somewhere where she should not go … and then, plop. The apple falls and I do not need to mess up the rest.Max Cea, contributor
The red speaks
The scene of We this prevented me (read: I kept awake at night) is not as much a "scene" as a sound or a particular look. It is the voice in the throat of the character of Lupita Nyong'o's ghost world that comes out of his mouth like vomit, all interrupted and disturbing. It's when she presses her elbows on the table, strokes her fingers on her cheek and opens her eyes wide. In a way, there is both a childish and bloodthirsty quality, as if she wanted to play a game … that ends in murder! The advantage of being haunted by this scene is that some parts start to crystallize, or take on a deeper meaning, after the twist in the end. As if "Red" began his monologue with "Once upon a time", a child or adult kidnapped as a child and kept underground in an abandoned lab under a sidewalk until that moment. The only thing more horrible than Nyong'o's performance is the idea that she will not win an Oscar next February.Cam Wolf, writer of style features
The flashback of red
We have a glimpse of Red's life when she speaks for the first time. She describes growing up with cold, sharp toys and eating raw rabbit. But we are really coming to see this life towards the end of the film, the underground world mingled with images of the carnival pier. The idea that every action on the surface produces these furious and shuddering parodies is almost more upsetting than the bloody violence that preceded it.Luke Darby, contributor
Terror in front of the attache
There are tons of flashy game pieces built well in Webut the scene I'm constantly coming back to is calmer: just before Tethered arrives, Adelaide tries to tell Gabe how terrified she is, how much sure she is that something terrible will happen. Lupita Nyong'o's despair and her inability to express her fear are heartbreaking because Gabe's refusal to understand. We It's a big film, which belongs to Nyong'o, but it's one of the rare moments when we uniquely associate with Adelaide and Gabe's wedding, and the troubled performance of Winston Duke is just as vital. This is a further sorrow for us, the public too. We all paid a ticket for a horror film and, like Adelaide, we know that there are only a few minutes left before the nightmare arrives at her door.Tom Philip, contributor
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