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Assassin's Creed Odyssey balloon farther, adding layers of complex systems ranging from national conquest battles to mercenary rewards. This helps to understand how Greece has become a fragile and war-torn planet. But a later system is more devious and is an important addition to the franchise as a whole. The ability to hunt down various cultists and conspirators around the world finally helps players feel like a real killer.
A few hours Odyssey, your character discovers the mysterious cult of Kosmos, a group of collaborators from the Greek world eager to manipulate the various factions of the Peloponnesian War to their advantage. This means that each part of the conflict must turn into a protracted war from which it can benefit. The cult of Kosmos seems to have its fingers in almost every aspect of Greek society, from high-level politics and military affairs to dark criminal syndicates and mercenary groups. And suddenly, Odyssey open a new tab with 44 cultists whose identity you can reveal, and which you can then murder. It's a massive revelation: the cultists are hiding in the world of gambling and you can get into a bloody trail of revenge against them.
This is a difference from how the assassination had already been treated in the series. Earlier titles constituted a list of villains – most of them working for the shadow of the Knights Templar, with a few exceptions – and managed their deaths through storytelling missions. As the series developed, it was time to understand their motivations, especially in Assassin's Creed 3 which gave the players control of the Templar Haytham Kenway for the first act of the game. The assassination was an event that had to be attacked, with villains with whom you often indulged in near misses and sabotaged plots. .
It was a fair approach, but OdysseyHelp sell something that previous games have never really managed: this shit is hard work. Removing followers is a kind of combat, even engaging, in which we find clues about their identity before traveling, sometimes through the world of the game, to dispose of it.
Of course, as this is a new system, things can sometimes seem a bit unclear. The idea of a massive network of enemies covering the game world is intoxicating, but players who have dedicated themselves to dismantling this network will sometimes find themselves stuck. My advice: if the identity of a cultist is "helped by the people nearby", it means that you have to do parallel quests and not, for example, try to free the prisoners at the places mentioned. The cultist system likes to create obstacles, but although this is partly because it is a new complex system, this experience is consistent with the process. (I'm imagining.) These are not just points on a map to kill. These are individuals that you must attract. You did not think it would be so easy to destroy a plot covering a region, is not it?
The great trick of the system lies in the revelation of the leaders of the upper echelon of the hierarchy of the cult. Although smaller cabals are motivated to gain their unique legendary armor, the true attraction of the cult system is the chance to see who holds the strings of Greek politics. I will not dare to spoil these revelations, but suffice it to say that you will unmask the followers and be shocked to recognize some of them. In some particular cases, I felt truly betrayed.
There had been betrayals and turnovers in the series before – players control such a coat in Assassin's Creed: Rogue-but there is something seriously wrong with your way through the body and discovering a brain to see a familiar face. A simple push of a button exposes the truth and, in some cases, can recontextualize huge parts of the game.
It's this mixture of hard work and sometimes shocking feelings of betrayal that Assassin's Creed Odyssey has succeeded in showing how the life of an assassin is grueling and difficult. And while the character I play, Kassandra, does not profess any belief, she and the player live this life with all the work that is exhausting and the decisive blood. Assassin's Creed has done these things before in his stories: the anxiety of Assassinof the Credo 3Connor, who learns that his colonial compatriots are responsible for the displacement of his people, Edward Kenway's desperation Black flag as he watches his murderous allies and his fellow pirates die one by one.
But these games have never captured the grueling process of assassination. The trip to dismantle the Kosmos cult is one of the most OdysseyThe key narrative pillars and the cultist system are essential to paint a picture of the dark conflicts of precursors that have given way to Assassins and Templars. And his difficult and, save for beautiful sets of loot. But someone must do it.
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