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Every year at Adobe MAX, and sometimes in between, we are entitled to Adobe Sneaks: a series of presentations of what Adobe is doing at the most advanced levels that technology can help us save time for creators, such as that Project Quick Mask, which can hide any subject in a video as easily as using the magic wand selection tool.
Bounty brush
The whistle of Brush Bounty was an experience that started out as fun, but it did not take long for its power and potential to materialize. To animate the traditional rain, it may be necessary to paint each drop of rain, then animate everything to move on the screen in the exact desired way. However, with Brush Bounty, editors can create a brush for a particular animation and paint the rain wherever they want. The amount or density of the effect can increase with additional contours, but the density, frequency, speed, direction, and even the volume associated with the effect can all be changed at a later date. using simple cursors.
In addition, Brush Bounty can introduce simple adjustments to animations based on various external inputs. By connecting your smartphone, you can switch in different directions. Brush Bounty will capture the display of your phone's accelerometer to change aspects of an animation such as the direction in which a wind is blowing on a character's hair. The ability to link animation properties to external data points, such as a number of retweets, an increase in sales, etc., is even more powerful (though it's slightly less fun than to play lightsaber with your phone). For example, a company can create an animation in which the size of an item increases each time the price of the action increases.
Although it works very well as a stand-alone application, it's much easier to see Brush Bounty as an item that can be incorporated into After Effects, or even Premiere Pro, in a limited form, so you can easily see it. increase the ability of a publisher to easily edit animations without having to resort to painstaking work while tweaking to perfection.
Fast Mask Project
Once this is available, Project Fast Mask will remove rotoscoping jobs. For real. What may seem scary for some is really an incredible technology for all the others, who can now, with a few clicks of the mouse, automatically hide any subject (moving or still) in videos with simple or complex backgrounds. In just four mouse clicks on a topic to steer the Quick Mask project in the right direction, you can create a perfect mask so you can add graphic elements and other effects to your videos without affecting your subject. Brilliant.
Fixed trips
Photographers should be as excited about moving still images as videographers. We all know the Ken Burns effect: put a picture on the screen and start the usual zoom or zoom, or pan slowly in either direction. Although revolutionary for the time, this effect is now tired to say the least. But Moving Stills brings this to a whole new level. Adobe Sensei analyzes all the photos and automatically determines the elements that need to be zoomed (for dolly in or out motion) or tilted (for panning) at certain frame rates to add credible parallax effects and give your images in motion a real video appearance.
Most of the demo examples showed large strips of leaves or water that did not move at all, but we can see where a little more work with Adobe Sensei could add finer pixels by inserting these details to create a truly credible video from a single still image. Just watch the video. And now, tell me that you do not see a world in which you can shoot b-rolls in stills. Exciting things.
Smooth operator
Smooth Operator is the perfect complement to Adobe video editing software, which now includes Premiere Rush CC. While Rush is designed to facilitate the video editing process for the online video creator who still does not want to give up on professional-level transitions and animated graphics, it's technologies such as Smooth Operator that will really help Rush to hold its own. promises.
For example, Smooth Operator uses Adobe Sensei to analyze the subject in a scene. For example, when changing the aspect ratio from 16: 9 to 1: 1 (square) for Instagram, the appropriate pan will be automatically added for your subject or the action of the video in the frame at any time. The best part: Smooth Operator brilliantly manages multi-subject scenes as well as actions between these topics, such as the video of a dog playing to search with its owner.
Adobe had a number of other impressive and even more impressive images, but we wanted to focus on the videos and photos above. Despite everything, I've been extremely impressed by some of the other members who are below, who are looking at the themes of design, illustration, music and typography.
Fantastic fold
Project Waltz
Kazoo Project
Fontphoria
Project good bones
Morph Project Template
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