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Photo: Vulture and Courtesy Studios
Most of the gala screenings at the Toronto International Film Festival take place in temporarily converted Broadway-style theaters, where the acoustics are strange: you may not be able to distinguish a particularly muffled dialogue, but you'll hear with a crystalline perfection clarity if someone else in the audience is crying. A mouth, a sob, a tear, even a moan – if tears run down the cheeks of a spectator, you can bet that not everyone is aware.
This auditory quirk makes Toronto a particularly effective place to take the pulse of what fall movies are hitting the viewers. As the 2019 festival enters its last days, here is your guide to the films that made the taps run this year.
Previously, the only people who cried in Noah Baumbach's films were people who knew Noah Baumbach in real life and who had just discovered which character was based on them. But the director's latest film, a portrait of the ramshackle relationship between a dominant theater director (Adam Driver) and his wife (Scarlett Johansson), linked to L.A., feels warmer, less acidic. It's a slow-motion tragedy, because the spouses who swore to part ways amicably find themselves gradually put in a position where the only logical choice is to hate each other. But, as a baker who adds butter to a croissant, Baumbach also makes sure to introduce a thin layer of comedy into each scene. While the divorce process escapes control, Driver and Johansson engage in a fierce discussion in which they shout in turn the insane insults they can argue. He is a moving wrestler and also the most laughter I've seen at the festival this year. I would not call Wedding story a real larcorer, but it's a solid bet, your eyes will become fogged at least once. It's up to you to determine the emotion that flows from it.
"Do not ruin my childhood," says the journalist Lloyd Vogel's wife (Matthew Rhys) as he prepared to interview Mr. Rogers in Marielle Heller's latest film. The children's TV presenter might have said the same thing by looking at the Magnificent day a trailer, which seemed to indicate a kind of standard biopic-iness. Fortunately, the film is a little more nuanced than that. Rather than a mere biopic, he keeps Rogers (Tom Hanks) at bay, turning him into a bewildering guardian angel who helps Vogel deal with his own daddy's problems. Rhys material is for viewers, but it did not work for everyone. Fortunately, the scenes of Hanks sing – sometimes literally, as when Heller recreates the aesthetics of The neighborhood of Mr. Rogers for film framing devices. You might start to wake up to the sight of your childhood memories so cleverly found, but for this viewer, the dopamine rush of seeing this new streetcar in action was more than enough to sink the tears.
No scene I saw at TIFF this year caused more tears than the one that comes in the middle of the legal drama Just pity. The film tells the story of Lawyer Bryan Stevenson (Michael B. Jordan), a Harvard law graduate, who moves to Alabama and offers his services to prisoners sentenced to death, mostly black men who repressed racism. criminal justice system. Despite his efforts, Stevenson does not always succeed and in the middle of the film, the candidacy of a prisoner requesting a stay of execution is refused. In an extended sequence, we follow the man on his last night in life; in the end, the audience of my projection was absolutely silent, except for the sound of sobs resounding in the four corners of the theater. Just pity one of this year's most controversial films: industry types and the public rushed into it, while critics generally consider it a boring source of inspiration. (It has been said that the film "appears to be a candidate for a position.") He is considered a serious candidate for the People's Choice Festival Award, an honor that generally bodes an appointment. as a best film, and if the film wins the prize, it's I will have those tears to thank.
waves made a splash in its Telluride debut last week, seemingly coming out of nowhere to become one of the festival's most acclaimed films. (Opinions differ as to whether A24 did not know what it had in wavesor if she had deliberately downplayed it to produce the exact reaction she had received.) Trey Edward Shults' TIFF appeared on the backdrop of hype and the reception on his Tuesday night premiere was slightly less ecstatic. waves follows a black middle-class family headed by a domineering father (Sterling K. Brown), whose son (Kelvin Harrison Jr.) cracks under pressure, while the girl (Taylor Russell) does her best to keep everything together. . The first half of the film will be familiar to all who have seen Euphoria or spring breakers – a swirling camera, a lot of neon lights, an energy without stopping go-and-go. The whole culminates in a sequence that was my second most stressful viewing experience of the entire festival (Uncut gems was # 1), after which the film switches between focus, formats and gears and turns into something else. It becomes a serious story of forgiveness, a sweet story of transition to adulthood, and also a kind of romantic comedy? I still do not know exactly what the second half of waves But I know that when Russell's character finally opened his heart to his father, I cried as if she were my own daughter.
Finally, I must confess with shame that none of the above movies made me tear like Jojo Rabbit made. And if you think I'm an easy mark now, wait until you know what happened. The Nazi film Waitita Taika has not received the warm critical hug that he could have expected at TIFF – it is presented as a satire, but it is in reality a comedy, which does not have much to say beyond "Racism is crazy." The relationship between Hitler Youth (Roman Griffin Davis) and the Jewish girl her mother hides at home (Thomasin McKenzie) is horribly sweet. At a pivotal moment in the film, the duo dances for 'Helden', by David Bowie's A German cover-up of 'Heroes', which happens to be my absolute favorite version of the song. I had that familiar feeling of sore throat, and then tears invaded my face. Yes, I am the goober who cries at "Heroes". You may be too.
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