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The longest lunar eclipse of the century is coming – how are you going to look?
On Friday, July 27, the lunar eclipse will make the moon an orange or reddish color, creating what is called a moon of blood.
] What astronomers call the totality – the duration of the complete eclipse when the entire moon is in the shadow of the Earth – will last one hour and 43 minutes, the longest of the 21st century.
The eclipse will begin arriving at 18:14 and will end at 12:28, although we will only see it from 9:00 pm when the moon will be over the horizon. Totality starts at 21:21.
The blood moon will be seen the longest since Southeast Europe because it will be the highest in the sky but will be visible from most parts of the continent for varying lengths.
Want to record the moment in front of the camera? But what is the best way to do it?
Canon's ambbadador and acclaimed landscape photographer David Noton, has provided his best advice to keep in mind when photographing this opportunity.
(Image: Photograph of David Noton)
1. Download the Right Apps to Know
The position of the sun in the sky at any time of the day varies greatly depending on the latitude and the season. This is not the case of the moon because its pbadage through the heavens is governed by its complex elliptical orbit of the earth.
This orbit causes monthly, rather than seasonal, variations as the moon moves through its lunar cycle. The result is great differences in the timing of its appearance and its trajectory in the sky.
Fortunately, we no longer need to rely on weight tables to check the behavior of the moon, we can simply download an application on our phone.
The photographer's ephemerides are useful for giving the times and phases of the moon and the moon; while the Photopills application gives full information about the position of the moon in our sky.
Armed with these two applications, David plans to turn the Moon of Blood rising in Dorset. It aims to capture the moon in the first fifteen minutes of the moonrise so that it can catch it in the sky and photograph it next to an object on the horizon line for the scale – it could be as simple as a tree on a hill.
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2. Invest in a lens with an optimal zoom
On July 27, one of the main challenges we will face is to shoot the moon in the frame in order to be able to see each crater on the surface covered with asteroids.
This is a task normally reserved for astronomers with super powerful telescopes, but if you have a long telephoto lens on a full-frame SLR with approximately 600 mm focal length, this can be done, depending on the composition. David says that he will use the Canon EOS 5D Mark IV with an EF 200-400mm f / 4L IS USM Ext. 1.4 x lens.
3. Use a tripod to capture intimate details
When you frame your shot, a thing becomes immediately apparent; Lunar tracking is incredibly difficult as the moon moves surprisingly fast in the sky.
As you will use a long lens for this shoot, it is important to invest in a sturdy tripod to capture the best possible picture.
Although it's tempting to take the picture by hand, it's important to remember that your subject is over 384,000 km away from you and that even with a high shutter speed the slightest movement will become exaggerated.
4. Integrate the Moon into Your Landscape
While the large Moon images in the frame can be beautifully detailed, they are essentially astronomical in their appeal. David says that he is much more attracted to the use of the moon as an element in landscapes, or the use of moonlight as a source of light.
The latter is difficult because the amount of light reflected by the moon is tiny. is so brilliant in comparison.
Up to now, night photography meant long and long exposures, but some cameras are now capable of amazing performance in low light, so that a whole new night world of Opportunities was opened to photographers.
(Image: AP)
5. Master the shutter speed for your subject
The most evocative and most authentic use of the moon in landscape portraits results from situations where light on the moon balances with dusk in the surrounding sky. These images have a subtle appeal, mood and credibility.
By definition, any scene incorporating a medium or wide angle view will make the moon a tiny puncture of light, but its presence will always be felt.
Our eyes gravitate naturally, as insignificant as it may seem. Of course, the question of the shutter speed is still there; too slow an exposure and all we will see is an unsightly lunar trail, even with a wide-angle lens.
On a clear night, mastering the shutter speed of your camera is an integral part of capturing the moon – expose to 1/250 sec @ f8 ISO 100 (according to the focal length) is what you need to prevent motion blur and if you want to get the right technique, you could even see the twelve cameras that were left there by NASA in the 60s.
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