Finally, the new Polnareff between vintage festivities and pieces traps



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CRITICISM – After nearly three decades of waiting, the singer's new album is out this Friday. A happy tote crossed by the desire to fight this incomparable melodist.

At the exit of Kama SutraIn 1990, François Mitterrand was still president of the French Republic. Michel Rocard was at Matignon, Cyrano from Rappeneau and Nikita Luc Besson competed for box office favors and Goodbye Marilou looped on the FM band. Nearly thirty years later, the situation has changed. Emmanuel Macron is at the Élysée and the yellow vests under his windows, which mobilize the news. After a long absence, barely interrupted by a handful of singles and two successful tours, Michel Polnareff delivers "Finally!" Tenth solo album of a career started in 1966.

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River album promised for several years, entitled "Finally!" With a lot of self-deprecation, underwent several transformations before reaching us. The end result is the result of Californian studio sessions. With the participation of old backpackers of the studio (Tony McAlpine, Jimmy Johnson, Curt Bisquerra) the sound is very American. The album that appears at Barclay is an iconoclastic catch-all in which there are pleasant surprises and sometimes even snares.

The adventure has the good taste to open on an ambitious and inflated instrument which shows the ease of Polnareff to establish climates. Some pieces play the punch, and the general mood is playful and combative. Soul brbad, electronic synths, metal guitars, tango inflections, disco pulsations and other colors populate Polnareff's phantasmagorical universe. If he wrote several titles of his only pen, he also worked with the excellent Doriand, especially on the beautiful and clbadic Grow notas clean and touching as vintage Polnareff. Ophelia Fragrant Beds and The man in red, respectively released in 2006 and 2015, are entitled to a second chance under new tinsel.

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Very rock, with a text that plays with humor on the pangs of the blank page, Long time is perhaps the most successful piece of the record, with an unstoppable melody and rhythmic way race-pursuit. The album, cluttered like a kid's room that does not know where to put his toys, is crossed by a rare vigor and energy. Happy Earth shows the interest of the singer for the preservation of the planet when other texts are more personal, even naughty for some (positions, Sumi, Ophelia Fragrant beds). In its way of abolishing hierarchies between writing and composition styles, this disc is often in tune with current listening habits. In your playlist, placed in penultimate position, Polnareff pays tribute to the loyalty of his audience, whose patience was put to the test by the long wait caused by this disc often rejected and that he discovers … Finally!

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