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It's amazing, but it's your very first series …
Jean-Jacques Annaud: I have been trying for ten years to make television. It is the media of both the present and the future. The screens widen, the choice grows. Less in the cinema. And I can not complain, thank God, who made all the movies I wanted to do, with real freedom. I always liked having a little pressure, we did better things. The energy of television provides that. I do as few shots as possible, it's very interesting to work like that, inflated to the block, without letting any opportunity pbad. For example, with Kristine Froseth (Nola) and Virginia Madsen (Tamara), I wanted to show them nothing before shooting. They discovered everything, as their characters do.
So, is it very different to shoot a movie and a series?
Well no ! With Laurence, my wife, who is my script for thirty years, we worked in the same way on this series as on my films. The rhythm is even better and more buoyant. It's funny to follow. Movie trays are sometimes boring.
Patrick Dempsey is your hero. How is he behind the scenes?
I told him I loved his silences. An actor shows his soul in his silences. It's sometimes more powerful than words. With him, it happened to me not to be able to say "Cut!", So much it upset me, so much his game took me by the throat. These are very beautiful moments. He surprised me by his understanding of the character. Kristine was bluffing. It's a big one. Ben Schnetzer (Marcus) has a crazy charm and talent. This casting is really fabulous!
What convinced you to adapt this book?
It's a jigsaw puzzle and we distribute the pieces in a haphazard way. It's fun, but it's also a puzzle. We have to hang up the cars, and I love that. At first, I was offered this project to make a film. But I said: "No, wait, we're talking about 800 pages, there are ten super interesting characters, you have to do it in series!" Joel Dicker, the author, agreed with this.
How did you work with him?
I did not work with him, actually. (Laughs) I had various adventures with writers. Umberto Eco, for The name of the rose, said : "This is my book, but it's your movie. Do you want to make a musical? I'm fine, it's your interpretationIt was very different with Marguerite Duras for The Lover. She wanted to appropriate the thing and we fought like rotten fish! If it was again, I would start right away. Joel let me work independently. He was present on the set, he was at the end of the day, he was delicious.
Truth about the Harry Quebert affair : to follow every Wednesday at 21.00 on TF1.
Interview Jérémy Parayre
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