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With Karyl Walker
Now that the dust has settled at Catherine Hall in Montego Bay, St James – the site of Reggae Sumfest celebration of Jamaican culture – it is hoped that dancehall music artists have taken out their notepads and pens and take the masterful lesson offered by one of theirs, the talented Cham.
It's no mean feat to play in the wake of the irrepressible crooner Beres Hammond and many artists would tremble in the boots. perspective, but as the veteran deejay now entered the Sumfest scene, it was clear that he was fearless. After all, many have not prevented a large majority of the audience from visiting the rest room or food stalls during their sets, after the natural high that Beres so often takes to his frantic worshipers.
It's a formidable task. Formerly known as Baby Cham, Cham lost all fear and approached the plate with aplomb. In doing so, he proved that whatever genre an artist chooses to make a living, hard work and dedication, once applied, are the key to success
contrasting with the disappointing performances of Sumfest dancehall nights. , with many of them choosing to "go up" and "go up" rather than sing their songs; talk too much;
Cham raised the dancehall performance bar by performing at a level that would suit any high level concert in any country on the planet and was truly a sight to behold. He first pleased his audience by performing most of his popular singles until the end and he was comfortable when he used the stage with confidence, interacted with his audience and presented new releases
. band, who had to help his cause to entertain his audience and provide value for money.
Cham's apparent dancehall heights have not been reached by a sudden flight as he has always been an explosive artist. However, his performance at the last edition of Sumfest deserves to be highlighted because it was clear that the artist decided to mark his clbad on the event and deliver a performance that would make the happiness of his fans and win those who were not already sold on his undeniable talent.
Cham's performance is a clear indicator that dancehall acts can and must raise the bar. The music is taking off more and more in the mainstream and the opportunities for those who shine in this art are limitless.
Capleton & # 39; firefighter & # 39; should also be commended for not ripping off his songs
Performing for themselves and to please Jamaican-based fans must now be thrown through the window and a new paradigm sought to be achieved. With the exception of a few, dancehall artists all come from the poorest strata of society. They sing and sing what the mbades feel from day to day and are the voice of the people, especially the youngest, deprived of their rights.
Just as reggae music was despised by the upper crust in the early days but persevered to become the pride and joy of Jamaica and produce its most famous son, dancehall music must therefore claim its place under the sun . Not just as a secular form of popular entertainment, but as music produced by a generation of Jamaicans determined to perpetuate the tradition of breaking down barriers and forcing the world to make its way.
in the Jamaican context, one should let them know that they only eat bread crumbs and that they can raise themselves much more they are resistant to it. want to rest on their laurels and be made to believe that they have come to the corner of the street. Easy Street and Got It Made.
Cham threw the glove and showed that with proper planning and dedication, a dancehall act can withstand any test that the entertainment world has to throw at them. His peers should listen to advice and take note of Cham's book.
Oh and thank you Capleton & # 39; the Fireman & # 39; for not having fired your songs after three or four lines and delivering the songs we like to hear a lot.
This is my view from the outside
Karyl Walker is a multi-award-winning journalist who has worked for Loop Jamaica, the Jamaica Observer, the RJR Communications Group and Nationwide Radio among other media entities. He now lives in South Florida
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