The "tower" uses animation as a poetic filter

We know the Palestinians as refugees of television reports and documentaries where they are usually reduced to an anonymous and desperate destiny. Mats Grorud also founded their tragic lives and locked up in this movie, but uses unorthodox grips.

Using 2D animations and dolls, he creates a filter for the protagonist Wardi and his family, which prevents despair and emotions from catching up. This makes us more receptive to Grorud's ambitious attempt to reconcile the family's history with the historic Palestinian oyssa as a displaced people.