With fundamental female characters, the first Man-Ant and Vespa



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The one accompanying the films of the Marvel Film Universe (UCM) will notice something different and special in the title of the latest version of the company, the third of this year. Man-Ant and Vespa, directed by Peyton Reed and whose first Thursday next, 5, is the first feature film of the studio to contain the name of a superhero. Like Vespa / Hope Van Dyne herself (Evangeline Lilly) said at the end of Man-Ant (2015), the character's first adventure, "finally!"

"We always knew it would be a beginner Vespa," said director Peyton Reed in an interview with the newspaper O Estado de S. Paulo in Los Angeles. "I'm a fan of the Marvel Comics, the Ant-Man and the Vespa are the founders of the Avengers."

Responsibility is also the word used by actress Evangeline Lilly who, before interpreting the first superhero in a Marvel movie title, does Lost and The Hobbit. "I feel responsible for doing justice to the character, making it entertaining and challenging." Lilly talked a lot with the director, who described the actress' process as badytic. "We wanted it to be different from other characters in the Marvel film universe," Reed said. "For her, she had to be as real and three-dimensional as possible, and she when she fights, her hair is practically trapped in a ponytail, so that the helmet can come in and out, and she has a very personal mission. committed. "

Hope hopes to save her mother, Janet Van Dyne (Michelle Pfeiffer), who became subatomic when her daughter was small and disappeared. For this, she and her father, dr. Hank Pym (Michael Douglas), will need the help of Scott Lang (Paul Rudd), the Ant-Man, who is serving a house arrest after violating his conditional by joining the Avengers in Captain America: Civil War. His appearance has erased the secret of the outfits created by Pym, who is not very happy to be working with Scott again – and Hope too.

In addition to Hope and Janet, there is another fundamental female character: Ava / Ghost (Hannah John-Kamen), who is able to cross bodies and walls and is behind Hank Pym's equipment to save his own life. Originally, the character was a man in the comic strip. "There was not much about the past, it did not originate," said John-Kamen. "I gave him life, I was the first to do it." It was our decision as to what it would be, I did not take anything from the comics.

Unlike other Marvel films, the drama of Ava is so understandable that it's hard to call it naughty. "We think more of antagonists than bad guys," said Reed. "She has traces of wickedness because she has a purpose and will not stop until she hits him, I like him when I understand the point of view of the antagonist. " Ava is also the theme of the fathers and daughters of the series: Scott and the little Cbadie (Abby Ryder Fortson), Hope and Hank. "Every Marvel movie has its own personality, but I think we focus on family relationships, with greater lightness," says Rudd. UCM fans already know who should stay in the movies until the end of the credits. The director gives some advice: "We knew we had to deal with the consequences of Avengers: Infinite War and we knew the movie was going to happen a little bit after Captain America: Civil War." But the way the extra scene was made has everything to do with Ant-Man and his most capable, resilient and skillful companion, the Vespa.

The information comes from the newspaper O Estado de S. Paulo

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