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In the last decade, three Spider-Man sagas have been told in theaters in a slightly different way. In this scenario, it is strange to remember that Spider-Man on the Aranhaverso is the fourth version of the hero in this short period. That's because Aranhaverso is so different and captivating that it's hard to put it in the same box as other character's movies.
And this is not solely due to the fact that it is an animation. The script brings an atmosphere to the Aranha universe and an unbridled narrative that does not slow down at any moment. These points turn the experience of watching "another Spider-Man movie" into something incredibly invigorating in this already saturated market of superheroes.
Phil Lord and Chris Miller understand the world of animation very well and have extensive experience. in the region ( Lego Adventure and Tá Raining Burger are examples). They can perfectly measure the development of history and the creation of a universe of its own, even in a series with so many characters to present.
Many unusual interferences give dynamism to events: fast cuts, scenario scenarios, characters telling first-person snippets, drawn balloons pop up on the screen. Describing this may seem like complete madness, but trio direction Peter Ramsey, Bob Persichetti and Rodney Rothman use the best animation language to surprise the viewer.
This may seem obvious to anyone who has ever seen a movie trailer. , but in reality, the visual is the most impressive part of the work. Not only for the exquisite animation that combines computer graphics and more traditional HQ effects, such as Ben-Day Dots – technique of coloring panels with overlapping four-color dots.
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