[ad_1]
Brazil has the reputation of being the country that has everything to do, but does not give, goes back to a specific and undocumented period of national history, when Dom Pedro 1º, escaped, returns in Portugal on an English frigate. ] The Brazilian project conceived during the second decade of the nineteenth century collapsed shortly after the cry of Ipiranga and the malpractices of the emperor of the time, facts documented in books, television series and in the long feature film "Independência ou Morte" (1972) by Carlos Coimbra.
But it must be in "Pedro", the next most expensive film directed by the filmmaker, Laís Bodansky, that the psyche of the main character is unveiled. The film is produced with nearly $ 8.5 million of funds raised, a team of nearly 200 people and its planned launch date in the second half of 2019.
Result of a cooperation between Brazil, Portugal and France, the main feature is Cauã Reymond and 80% of its scenes take place inside the boat in the direction of Europe. Part of it was filmed in mobile studios connected by 700 elastic ropes simulating the movement of the sea.
The structure, which supports four tons, naturally left the crew a great nausea by reproducing reliably the wavering of a transatlantic crossing. The interior of the ship has been fully restored by the art direction. Another part of the film was shot outside the sailboat Cisne Branco, jewel of the Brazilian Navy loaned to the Brazilian Navy.
along with the producer Cauã Reymond, with his films Sereno, and the sound and fury of Portuguese director Luís Urbano.
In this scenario, Pedro delves into his contradictions, between memoirs on the sequence of events. which culminated with the collapse of his reign and the solitude of being confined in a boat with Englishmen – the Irishman Francis Magee, the Yoren of Game of Thrones, is the commander Talbot -, slaves captured in Brazil and his last wife, Amelia of Leuchtenberg, inhabited by the Portuguese war war in Victoria.
"Where was I wrong?" is the question that guides the scenario, signed by Bodansky himself, to defend imaginary dialogues, situations and illusions of the four-day journey that transformed Pedro's personality until he landed in the Azores for throwing himself into the battle of the throne against his brother
"We speak little of our history in the Brazilian audiovisual, not only of Brazil's project that went wrong at that time, but of the personal life of Peter, who also gave him "The Pedro who arrives in Portugal is very well known to the Portuguese, but not to us," says the director, who received this reporter when recording in a studio in Osasco, in the Grand São Paulo
She was filming a dinner of nobles with the future king, who eats artichokes with hands, rejects the rules of etiquette and asks in English, to the horror of Amelia , to meet the head of the kitchen responsible for
in these details, the characterization of Cauã Reymond, a tanned Peter, unstable and ambiguous, who advocated abolition, but kept slaves "of the family" as domestic servants.
"This is the portrait of Brazil today, which gave freedom, but not education, which released, but did not integrate the majority of the population , which was already black at the time, Pedro represents this country of theory and little practice, projects of countries that stop in the middle of the road, "says the filmmaker.
The original idea of the film left Reymond in 2014. It would be an epic with scenes of battle
In pre-production and rehearsals, carried out in a time frame that includes the dismissal of Dilma Rousseff, in 2016 and during the recent race for the presidency, filmmakers realized the correlation between current history and past history.
"We live in an ambiguous environment, characterized by social and political changes.The film is not an ode to Pedro or the monarchy, but a look at the time that brought the project of Brazil to its current state and how these characters influenced its construction, "Reymond explains.
"We wanted to escape from all that has already been seen and produced about this story."
The death of Empress Maria Leopoldina, the first wife of the Prince Regent, was born One of the facts taken into account in the editing of the character, which, according to the actor,
"It was a fundamental part of the creative process that to badyze how much Pedro faced and felt his death, a filter between him and José Bonifácio and playing a moderating role in the decisions of [o ministro] "
Domitila, the Marchioness of Saints, interpreted in the film by the visual artist Rita Wainer, is among the tastings that made her own bed and died unfortunate in Portugal "when he allowed her to enter the middle of the relationship with Leopoldina." This is undoubtedly my most difficult job. "
Source link
